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(1117, 1, '2025-06-09 16:10:57', '2025-06-09 16:10:57', '<!-- wp:paragraph -->\n<p><strong>Bjørn Wiinblad</strong>&nbsp;(20 September 1919 – 8 June 2006), was a&nbsp;<a href=\"https://en.wikipedia.org/wiki/Denmark\">Danish</a>&nbsp;<a href=\"https://en.wikipedia.org/wiki/Painting\">painter</a>,&nbsp;<a href=\"https://en.wikipedia.org/wiki/Designer\">designer</a>&nbsp;and&nbsp;<a href=\"https://en.wikipedia.org/wiki/Artist\">artist</a>&nbsp;in&nbsp;<a href=\"https://en.wikipedia.org/wiki/Ceramic_art\">ceramics</a>, silver, bronze, textiles, and graphics. His work has been shown widely in&nbsp;<a href=\"https://en.wikipedia.org/wiki/Europe\">Europe</a>, in the&nbsp;<a href=\"https://en.wikipedia.org/wiki/United_States_of_America\">United States of America</a>&nbsp;first in 1954 and in&nbsp;<a href=\"https://en.wikipedia.org/wiki/Japan\">Japan</a>,&nbsp;<a href=\"https://en.wikipedia.org/wiki/Australia\">Australia</a>&nbsp;and&nbsp;<a href=\"https://en.wikipedia.org/wiki/Canada\">Canada</a>&nbsp;in 1968. Wiinblad was named Man of the Year in New York in 1985 and was awarded the&nbsp;<a href=\"https://en.wikipedia.org/wiki/The_American-Scandinavian_Foundation\">American-Scandinavian Foundation’s</a>&nbsp;Cultural Prize of 1995.&nbsp;<sup><a href=\"https://en.wikipedia.org/wiki/Bj%C3%B8rn_Wiinblad#cite_note-kul-1\">[1]</a></sup></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2 class=\"wp-block-heading\" id=\"Background\">Background</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Bjørn Wiinblad was born in&nbsp;<a href=\"https://en.wikipedia.org/wiki/Copenhagen,_Denmark\">Copenhagen, Denmark</a>. He attended a drawing school in Copenhagen then from 1940 to 1943 he studied painting and illustration at the&nbsp;<a href=\"https://en.wikipedia.org/wiki/Royal_Danish_Academy_of_Fine_Arts\">Royal Danish Academy of Fine Arts</a>.<sup><a href=\"https://en.wikipedia.org/wiki/Bj%C3%B8rn_Wiinblad#cite_note-kul-1\">[1]</a></sup></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2 class=\"wp-block-heading\" id=\"Commissions\">Commissions</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>He was attached to the <a href=\"https://en.wikipedia.org/wiki/United_States\">United States</a> Embassy in <a href=\"https://en.wikipedia.org/wiki/Paris\">Paris</a> in 1947 as a poster designer. Later his posters illustrated <a href=\"https://en.wikipedia.org/wiki/Copenhagen\">Copenhagen</a>\'s famous <a href=\"https://en.wikipedia.org/wiki/Tivoli_Gardens\">Tivoli Gardens</a> and many other activities in <a href=\"https://en.wikipedia.org/wiki/Denmark\">Denmark</a>, as well as the Olympic Games for the Handicapped at <a href=\"https://en.wikipedia.org/wiki/Seoul\">Seoul</a>, the <a href=\"https://en.wikipedia.org/wiki/New_World_Symphony_Orchestra\">New World Symphony Orchestra</a> academy in <a href=\"https://en.wikipedia.org/wiki/Miami\">Miami</a>, and the <a href=\"https://en.wikipedia.org/wiki/Royal_Danish_Ballet\">Royal Danish Ballet</a> at the <a href=\"https://en.wikipedia.org/wiki/Metropolitan_Opera_House_(Lincoln_Center)\">Metropolitan Opera House</a>, all in 1988. His textile work was used for costumes for numerous ballets and stage presentations.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wiinblad illustrated the work of his fellow&nbsp;<a href=\"https://en.wikipedia.org/wiki/Danish_people\">Dane</a>,&nbsp;<a href=\"https://en.wikipedia.org/wiki/Hans_Christian_Andersen\">Hans Christian Andersen</a>, when he took on the task of providing the artwork for \"<a href=\"https://en.wikipedia.org/wiki/The_Swineherd\">The Swineherd</a>\"(195 ) which won an award from the&nbsp;<a href=\"https://en.wikipedia.org/wiki/American_Library_Association\">American Library Association</a>. Wiinblad\'s \"swineherd\" illustrations were turned into a short animated film by&nbsp;<a href=\"https://en.wikipedia.org/wiki/Gene_Deitch\">Gene Deitchfor</a>&nbsp;<a href=\"https://en.wikipedia.org/wiki/Weston_Woods_Studios\">Weston Woods Studios</a>.&nbsp;<sup><a href=\"https://en.wikipedia.org/wiki/Bj%C3%B8rn_Wiinblad#cite_note-2\">[2]</a></sup></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 class=\"wp-block-heading\" id=\"Rosenthal_Porcelain_Company\">Rosenthal Porcelain Company</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wiinblad was an important designer for the&nbsp;<a href=\"https://en.wikipedia.org/wiki/Rosenthal_(company)\">Rosenthal</a>&nbsp;porcelain company. His most popular Rosenthal dinnerware design, Romance (Romanze), was a typical Wiinblad design in terms of its incredible level of fine decorative detail. Starting in 1971, he also designed an annual commemorative&nbsp;<a href=\"https://en.wikipedia.org/wiki/Christmas\">Christmas</a>&nbsp;plate for Rosenthal. Wiinblad also designed ceramic pieces for&nbsp;<a href=\"https://en.wikipedia.org/w/index.php?title=Nymolle&amp;action=edit&amp;redlink=1\">Nymolle</a>, a&nbsp;<a href=\"https://en.wikipedia.org/wiki/Denmark\">Danish</a>&nbsp;<a href=\"https://en.wikipedia.org/wiki/Pottery\">pottery</a>.&nbsp;<sup><a href=\"https://en.wikipedia.org/wiki/Bj%C3%B8rn_Wiinblad#cite_note-3\">[3]</a></sup></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 class=\"wp-block-heading\" id=\"Dallas,_Texas\">Dallas, Texas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>In 1954 Wiinblad began collaborating with businesses and organizations in&nbsp;<a href=\"https://en.wikipedia.org/wiki/Dallas,_Texas\">Dallas, Texas</a>, and later operated a store in the city during the 1980s. He received commissions from the Dallas Ballet (costume and set design),&nbsp;<a href=\"https://en.wikipedia.org/wiki/Dallas_Theater_Center\">Dallas Theater Center</a>,&nbsp;<a href=\"https://en.wikipedia.org/wiki/Neiman_Marcus\">Neiman Marcus</a>,&nbsp;<a href=\"https://en.wikipedia.org/wiki/Thanks-Giving_Square\">Thanks-Giving Square</a>, and multiple projects for developer&nbsp;<a href=\"https://en.wikipedia.org/wiki/Trammell_Crow\">Trammell Crow</a>. For the Dallas International Apparel Mart he designed five massive Scheherazade tapestries, where they were displayed from 1973 until the building was closed in 2004.<sup><a href=\"https://en.wikipedia.org/wiki/Bj%C3%B8rn_Wiinblad#cite_note-4\">[4]</a></sup></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2 class=\"wp-block-heading\" id=\"Style\">Style</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Characteristics of Wiinblad\'s work include whimsical round-faced people, dressed in vaguely 19th-century costume. They are often surrounded by natural elements: twining vines, floral wreaths, and fantastical trees. When Wiinblad employed&nbsp;<a href=\"https://en.wikipedia.org/wiki/Color\">color</a>, he did so with great assurance. His colors are saturated and strong—sometimes almost&nbsp;<a href=\"https://en.wikipedia.org/wiki/Psychedelic_art\">psychedelic</a>—and are often supplemented with&nbsp;<a href=\"https://en.wikipedia.org/wiki/Metal\">metallic</a>&nbsp;gold or silver.</p>\n<!-- /wp:paragraph -->', 'Bjorn Wiinblad', '', 'publish', 'closed', 'closed', '', 'bjorn-wiinblad', '', '', '2025-06-13 22:54:58', '2025-06-13 22:54:58', '', 0, 'https://preowned.pixelpay-staging.com/?post_type=designer&#038;p=1117', 0, 'designer', '', 0),
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(1119, 1, '2025-06-09 16:15:14', '2025-06-09 16:15:14', '<!-- wp:paragraph -->\n<p><strong>Behind the Designer: Arne Norell</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arne Norell is one of those rare designers whose work feels equally at home in a 1970s bohemian loft, a modern Nordic hotel, or a meticulously curated collector’s residence. A master of comfort-driven elegance, Norell was part of a generation of post-war Scandinavian designers who combined traditional craftsmanship with global inspiration - producing furniture that was both relaxed and refined. While not as widely recognized as some of his Danish contemporaries, Norell’s work stands as a quiet testament to the enduring power of thoughtful design, tactile materials, and well-made form.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Born in 1917 in Åsele, Sweden, Norell developed an early interest in furniture making and interior environments. He founded his own workshop, Möbel AB Arne Norell, in the 1950s and quickly distinguished himself with a style that broke from the restrained severity of Scandinavian minimalism. Instead of pure lines and stark wood, Norell embraced softness - low-slung silhouettes, plush leather cushions, and warm, welcoming tones. But his designs never sacrificed structure. Every curve, stitch, and frame was carefully considered to offer both aesthetic pleasure and physical ease.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unlike many of his Scandinavian peers, Norell drew openly from international design references. He was deeply inspired by British and continental European furniture traditions, as well as campaign and safari furniture from Africa and Asia. This global curiosity is especially evident in his best-known piece, the <em>Ari Lounge Chair</em> (1966). With its chrome-plated steel frame and generously padded leather cushions suspended in tension, the Ari is at once robust and graceful - a sleek hybrid of modernist clarity and indulgent comfort. It won a gold medal at the International Furniture Design Exhibition in Cologne in 1973, cementing Norell’s place in the canon of 20th-century design.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>But perhaps Norell’s most iconic contribution is the <em>Sirocco Chair</em>, a collapsible lounge chair inspired by traditional campaign furniture. Designed in 1964 and produced by Norell Möbel, the chair features a solid wood frame held together without screws or glue - only leather straps and gravity. It’s a striking example of form following function: lightweight, flat-packable, and surprisingly sturdy. The Sirocco’s relaxed posture and natural materials make it a favorite among collectors and interior designers seeking an earthy, timeless character.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Much of Norell’s work exists in this unique tension between structure and softness, classicism and casualness. He wasn’t afraid to experiment - combining leather, canvas, rosewood, or chrome in ways that felt surprising but natural. His sofas, such as the <em>Ilona</em> and <em>Inca</em>, are notable for their inviting, modular forms and detailed upholstery work. Each piece exudes a lived-in sophistication, the kind of design that ages well and rewards everyday use.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Though Norell passed away in 1971, just as his work was gaining international attention, his studio continued to produce his designs, many of which were released posthumously. The fact that these pieces are still in production today - and remain in demand on the vintage market - speaks volumes about their relevance and quality. From a design perspective, Norell’s work feels timeless not because it avoids trends, but because it transcends them. His pieces have character, comfort, and just the right amount of flair.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Today, Arne Norell’s legacy endures through reissues and carefully preserved originals. His chairs and sofas are fixtures in both private homes and curated hospitality spaces -  favored for their balance of personality and practicality. And in the world of restoration, few pieces are as rewarding to work on. The use of saddle leather, visible stitching, and thoughtful joinery means that skilled craftsmanship can bring even a well-worn Norell piece back to life without compromising its essence.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At Design Preowned, we’ve restored several of Norell’s originals - from aged Ari chairs with beautifully patinated leather, to Inca sofas in need of structural renewal. Each restoration tells a story, not just of the object, but of a design philosophy centered on longevity and comfort. In many ways, Norell designed for the long game. His work invites touch, welcomes wear, and improves with age - qualities that align deeply with our own commitment to sustainable design practices.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In a world where much of today’s furniture is made to be replaced, Arne Norell’s work reminds us of the value of permanence. His designs don’t shout for attention; they invite you in. They are furniture as companions - deeply personal, enduringly relevant, and beautifully made.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>As we continue to source and restore iconic mid-century furniture, Norell’s work remains a favorite among our team and clients alike. Whether it\'s a vintage Sirocco that still folds perfectly or a 1960s Ari chair reborn through expert leatherwork, we see his legacy as an ongoing conversation between the past and the present - one that deserves to be both preserved and lived with.</p>\n<!-- /wp:paragraph -->', 'Arne Norell', '', 'publish', 'closed', 'closed', '', 'arne-norell', '', '', '2025-06-13 22:55:11', '2025-06-13 22:55:11', '', 0, 'https://preowned.pixelpay-staging.com/?post_type=designer&#038;p=1119', 0, 'designer', '', 0),
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(1121, 1, '2025-06-09 16:25:13', '2025-06-09 16:25:13', '<!-- wp:heading -->\n<h2 class=\"wp-block-heading\"><strong>Behind the Designer: Ángel Pazmiño</strong></h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>In the rich and often underrepresented history of Latin American modernism, Ángel Pazmiño stands out as a singular voice - a designer who bridged indigenous tradition and mid-century innovation through handmade furniture of striking character and cultural depth. Working primarily in Ecuador during the 1960s and 70s, Pazmiño crafted pieces that defied trends and quietly resisted the homogenization of global design. His work is rare, rooted, and unmistakable - the kind that doesn’t just furnish a space, but tells a story.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Little is documented about Pazmiño’s early life or formal training, which only adds to the enigmatic power of his work. What is clear is that he operated from the Andean region of Ecuador and was active during a period of economic and cultural transformation in the country. His pieces are often signed, handmade, and typically produced in limited numbers. These were not mass-market products, but artisan creations - made with intent, skill, and a powerful sense of place.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pazmiño is best known for his sculptural wooden chairs, tables, and storage pieces - many of which incorporate leather with intricate hand-tooled designs. The leather elements often feature motifs drawn from pre-Columbian iconography, stylized animal figures, or folkloric patterns, transforming each piece into something closer to functional art. These motifs weren’t ornamental in the superficial sense; they served as cultural signals, connecting modern forms to ancestral memory.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Structurally, Pazmiño’s work shows a deep knowledge of traditional joinery and woodworking techniques. His chairs, in particular, reveal a strong architectural sensibility - with thick, angular frames and tenon joints that feel both primitive and sophisticated. The use of local hardwoods such as cedar and walnut adds a tactile richness and visual warmth to each piece. Despite their substantial appearance, his furniture often feels remarkably balanced - grounded yet elevated, weighty yet refined.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>One of the most iconic examples of his work is the <em>Folding Chair</em> series - featuring broad, paddle-shaped arms, leather sling seats, and backs embossed with intricate patterns. These chairs are not just admired for their beauty but for their clever engineering: flat-packable and easy to transport, they were well-suited to both nomadic lifestyles and modern interiors. Over the years, they’ve become collector’s items, especially among those interested in non-European perspectives on modern design.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pazmiño’s tables and benches also carry his signature mix of strength and subtle ornament. Some feature carved insets or leather-topped surfaces, while others rely on proportion and joinery to express their personality. Unlike the more minimalist approaches of his Nordic or Bauhaus counterparts, Pazmiño embraced ornament - not as decoration, but as cultural continuity. His furniture retains the soul of craft, while speaking fluently in the design language of mid-century modernism.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Though largely unknown outside of Latin America during his lifetime, Pazmiño’s work has experienced a resurgence in recent years. As the global design community begins to reckon with its Eurocentric lens, collectors and curators have started to recognize the value of voices like his - designers who worked outside major industrial centers but nonetheless produced works of extraordinary originality and quality. Today, his pieces can be found in private collections across the Americas and Europe, and feature regularly in curated auctions and high-end vintage galleries.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At Design Preowned, we see Ángel Pazmiño as more than just a mid-century designer. He represents a form of resistance - to disposability, to cultural erasure, and to design that lacks meaning. His work challenges us to think about furniture not just in terms of form or function, but in terms of identity. Every restoration of a Pazmiño piece is an act of preservation: of memory, of indigenous influence, of handmade excellence.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>We’ve had the rare opportunity to restore a few of his original chairs, and the process is unlike any other. The combination of wood and leather requires careful coordination, and the hand-tooled patterns demand a restorer’s respect and restraint. You don’t just fix a Pazmiño - you collaborate with it. You bring it forward, without diluting what made it powerful in the first place.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In a design economy increasingly focused on sameness and scale, Pazmiño’s furniture reminds us of something much older and more enduring: that good design is not just international - it’s also deeply local. That form should follow culture as much as function. And that the hands that make something matter just as much as the name on the label.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ángel Pazmiño’s legacy is still being written - piece by piece, restoration by restoration, story by story. His work invites us to expand our definition of modernism, and to see the global design canon as incomplete without voices like his. At Design Preowned, we’re proud to give his work new life - and to share it with clients who value not just furniture, but meaning.</p>\n<!-- /wp:paragraph -->', 'Ángel Pazmiño', '', 'publish', 'closed', 'closed', '', 'angel-pazmino', '', '', '2025-06-13 22:53:31', '2025-06-13 22:53:31', '', 0, 'https://preowned.pixelpay-staging.com/?post_type=designer&#038;p=1121', 0, 'designer', '', 0),
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(1123, 1, '2025-06-09 16:40:30', '2025-06-09 16:40:30', '<!-- wp:paragraph -->\n<p><strong>Behind the Designer: Sven Larsson</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sven Larsson is one of the quiet forces in Swedish mid-century design - a name that may not dominate international headlines, but whose work remains deeply respected among collectors, restorers, and connoisseurs of Nordic craftsmanship. Known for his solid wood furniture and restrained yet expressive forms, Larsson designed with a kind of architectural calmness. His pieces aren’t flamboyant. Instead, they speak in the subtle language of proportion, material honesty, and long-term durability - the very principles that underpin Design Preowned’s philosophy.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Active primarily during the 1950s through the 1970s, Larsson worked during a golden era of Swedish furniture production - a time when local cabinetmakers, interior architects, and designers were bridging the gap between traditional woodworking and emerging modernist ideals. While there is limited public documentation about Larsson’s personal life or design education, what survives are his pieces: sideboards, coffee tables, and lounge chairs that reveal a designer deeply attuned to wood’s structural and aesthetic possibilities.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sven Larsson’s signature is perhaps best understood through his cabinetry - particularly his long, low teak and rosewood sideboards, which remain highly collectible. These pieces often feature clean, horizontal lines, finely tapered legs, and expertly fitted sliding doors. The detailing is precise but not precious - routed handles instead of hardware, beveled edges instead of ornamentation. Everything about his construction choices points to an ethos of restraint, function, and timeless appeal.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Another standout is Larsson’s series of sculpted lounge and dining chairs, which often combine generous seating with slender wood frames. These pieces feel grounded yet airy - a difficult balance that few designers achieve. They sit comfortably alongside the work of his better-known contemporaries like Yngve Ekström or Ib Kofod-Larsen, and yet they maintain a character all their own: slightly more architectural, perhaps, and unmistakably Swedish in tone.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Larsson’s work was frequently manufactured by smaller regional workshops, which adds to both its charm and its rarity. Many of his pieces weren’t mass-produced, and as a result, each surviving example tells a story of hands-on production and material care. For restorers and vintage collectors, this makes his furniture especially rewarding to work with. Beneath the surface wear of age, there’s integrity in the joinery, quality in the materials, and a design intelligence that reveals itself quietly over time.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>What sets Larsson apart is that his work feels inherently sustainable - not because it was branded that way, but because it was designed with longevity in mind. He didn’t follow trends; he followed principles. His furniture isn’t throwaway. It’s built to outlast fast fashion and fleeting tastes. And in that way, it aligns beautifully with Design Preowned’s mission to rescue and reintroduce design icons from the past into the environments of the future.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>We’ve had the pleasure of restoring several original Sven Larsson pieces - from elegant mid-century credenzas to understated yet beautifully balanced coffee tables. In each case, the goal is the same: to respect the original design, revive its materials, and allow a new generation to live with and enjoy the work. The process often involves meticulous sanding, oiling, and, where necessary, re-veneering - always using the same attention to detail that Larsson himself would have demanded.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>As interest in Scandinavian modernism continues to rise, Sven Larsson’s work remains a hidden gem within the field - understated, collectible, and rich with material intelligence. His furniture may not announce itself loudly, but once you’ve lived with a Larsson piece, it becomes difficult to imagine replacing it. There’s a calm permanence to his designs - the kind of presence that enhances a space without overwhelming it.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At Design Preowned, we believe in more than just restoring furniture; we believe in reviving stories, in extending the life of designs that deserve to endure. Sven Larsson’s work exemplifies this mission - modest in origin, monumental in staying power, and a quiet nod to the values we hold most dear: sustainability, craftsmanship, and timeless design.</p>\n<!-- /wp:paragraph -->', 'Sven Larsson', '', 'publish', 'closed', 'closed', '', 'sven-larsson', '', '', '2025-06-13 22:53:43', '2025-06-13 22:53:43', '', 0, 'https://preowned.pixelpay-staging.com/?post_type=designer&#038;p=1123', 0, 'designer', '', 0),
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(1125, 1, '2025-06-10 15:23:23', '2025-06-10 15:23:23', '<!-- wp:heading -->\n<h2 class=\"wp-block-heading\"><strong>Behind the Designer: Christer Lundén</strong></h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Swedish designer Christer Lundén may not be a household name on the global design stage, but within Scandinavian circles - and among true collectors of modernist furniture - his work speaks volumes. A master of subtle refinement, Lundén created pieces that exemplify the quiet strength of Nordic design: clean lines, natural materials, and a deep respect for craft and form. His furniture isn\'t loud or showy - it’s thoughtful, intentional, and built to last - precisely the kind of work that resonates with Design Preowned’s ethos of sustainability, restoration, and timeless design.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christer Lundén was born in Sweden in 1942 and emerged as a designer during the post-war modernist wave that swept across Scandinavia. While many of his contemporaries leaned into avant-garde expression or industrial experimentation, Lundén remained grounded in the foundational values of Scandinavian design: human-scale proportions, functional elegance, and a connection to nature through material choice. His designs often feature solid hardwoods - oak, beech, or teak - and show a clear understanding of how wood moves, ages, and lives over time.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>One of Lundén’s defining strengths was his ability to create furniture that felt equally appropriate in public and private settings. His chairs, tables, and storage units often balanced a sense of restraint with warmth, making them well-suited for everything from Swedish government buildings to intimate domestic interiors. There’s a particular honesty to his work - an avoidance of over-designing, and a preference for letting the material speak for itself.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Perhaps the best-known of Lundén’s contributions are his dining and lounge chairs, many of which reflect a deep understanding of ergonomics and everyday use. With subtle curves, wide seats, and perfectly angled backs, these chairs were clearly designed to be lived in - not just looked at. There’s also a certain clarity in the joinery: exposed dowels, sculpted legs, and floating backs that showcase the underlying craftsmanship. Much like Hans Wegner, Lundén believed in functional beauty - that the way a chair is built should be visible and understood.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lundén also had a long-running collaboration with the Swedish manufacturer Lammhults, a partnership that gave his designs a strong presence in public and contract settings throughout the 1970s and 1980s. He was a designer who moved with ease between the disciplines of industrial design, interior architecture, and craft — without losing his distinctive voice. Though many of his pieces were designed for scaled production, they never felt impersonal. On the contrary, they carried a human touch that’s increasingly rare in today’s design landscape.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>His contribution to Swedish design extends beyond just furniture. Lundén was part of a larger movement that prioritized sustainability long before the word became a marketing term. His preference for solid, repairable, and locally sourced materials was less a trend than a philosophy. He understood that furniture should be made to endure - not just physically, but culturally. That a well-made chair or cabinet doesn’t need to be replaced; it needs to be cared for.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Today, Lundén’s work has seen a quiet resurgence among collectors and interior designers who value authenticity and integrity in furniture. His pieces are increasingly found in vintage stores across Sweden and northern Europe, often still structurally sound after decades of use - a testament to the quality of both his design and materials. While he may not have achieved the international fame of some of his peers, his work holds a kind of understated prestige - the kind that grows with time.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At Design Preowned, we’re proud to restore and preserve the legacy of Christer Lundén. His work is particularly rewarding to bring back to life: the solid wood construction allows for careful refinishing, while the clarity of his designs means that every repaired joint or revived surface reinforces the original intent. There’s no need to reinvent - only to reveal what was already there.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>We see Lundén as a designer for our times. His furniture embodies a slower, more intentional approach to consumption and production. It\'s furniture built to be passed down - to be lived with, repaired, and appreciated across generations. In restoring his pieces, we’re not only honoring a talented but often overlooked voice in Scandinavian design; we’re also reaffirming the idea that good design is, at its core, sustainable.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In a marketplace often dominated by short-lived trends and disposable manufacturing, Christer Lundén’s work reminds us of the power of subtlety, the value of care, and the enduring relevance of design that places people - and the planet — first.</p>\n<!-- /wp:paragraph -->', 'Christer Lundén', '', 'publish', 'closed', 'closed', '', 'christer-lunden', '', '', '2025-06-13 22:54:06', '2025-06-13 22:54:06', '', 0, 'https://preowned.pixelpay-staging.com/?post_type=designer&#038;p=1125', 0, 'designer', '', 0),
(1126, 1, '2025-06-10 07:31:31', '2025-06-10 07:31:31', '<!-- wp:paragraph -->\n<p>Our <em>Waste to Collection</em> line transforms surplus materials and leftover production from furniture manufacturers into new, high-quality design pieces.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>We collaborate directly with leading producers to give manufacturing waste a second life. One example is <strong>Table Design No. 1</strong>, co-created with Kvist Industries using leftover wood from their Danish production line. Instead of discarding valuable resources, we reshape them into timeless furniture with a story and a purpose.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>More partnerships are underway — and with them, more discarded materials turned into thoughtful, circular collections.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>By choosing <em>Waste to Collection</em>, you don’t just invest in design — you help eliminate industrial waste and support a regenerative production model.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Designed from waste. Crafted for impact.</strong></p>\n<!-- /wp:paragraph -->', 'From Waste to Collection', '', 'inherit', 'closed', 'closed', '', '1082-revision-v1', '', '', '2025-06-10 07:31:31', '2025-06-10 07:31:31', '', 1082, 'https://preowned.pixelpay-staging.com/?p=1126', 0, 'revision', '', 0),
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(1142, 1, '2025-06-10 09:34:03', '2025-06-10 09:34:03', '<!-- wp:paragraph -->\n<p><strong>Recrafted Furniture with a Future</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At Design Preowned, we extend the life of original wood furniture by 30–50 years through expert craftsmanship. Sourced across Scandinavia, each piece is brought to our Copenhagen workshop where it’s carefully <strong>recrafted</strong> — with new upholstery, oil treatments, precision repairs, and original or custom spare parts.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>We serve as a sustainable alternative to mass-produced contract furniture, helping businesses meet climate goals without compromising on aesthetics or quality. By upholding circular practices, we reduce environmental waste, preserve resources, and celebrate timeless design.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Our clients include architects, interior designers, cafés, and companies with a conscious green profile — all seeking furniture with a story, soul, and second life.</p>\n<!-- /wp:paragraph -->', 'Recrafted Furniture', '', 'inherit', 'closed', 'closed', '', '1078-revision-v1', '', '', '2025-06-10 09:34:03', '2025-06-10 09:34:03', '', 1078, 'https://preowned.pixelpay-staging.com/?p=1142', 0, 'revision', '', 0),
(1144, 1, '2025-06-10 09:47:08', '2025-06-10 09:47:08', '<!-- wp:heading -->\n<h2 class=\"wp-block-heading\"><strong>A new generation of the GUBI family launches design brand during 3daysofdesign</strong></h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>What if old furniture could tell new stories? And what happens when a young man from Denmark’s legendary GUBI family decides to flip the furniture industry on its head?&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>This summer, during 3daysofdesign, the 23 years old Edward Gubi introduces the world to Design Preowned—a fresh, forward-thinking design brand that’s rewriting the rules of sustainability, style, and storytelling in the furniture world.&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>But this is no ordinary startup. Design Preowned is rooted in a deep family legacy—Edward is the grandson of the founders of GUBI, the iconic Danish design house known around the world. Now, he’s stepping into the spotlight with a mission that’s as personal as it is planet-conscious: to rescue forgotten furniture icons and give them a second life.&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edward doesn’t design from scratch—he designs from history. He hunts down mid-century Scandinavian furniture that others have passed over: chairs, barstools, and loungers by lesser-known names like Henning Kjærnulf and Vagn Fuglsang. Pieces rich in character and craftsmanship, often neglected or discarded.&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Each piece is restored, refreshed, and reimagined—ready to live on in restaurants, hotels, bars, and offices for another 15–20 years. Reborn for a new generation. It’s a love letter to longevity in an industry still obsessed with the new.&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>With a sharp eye for overlooked classics and a commitment to sustainability, Edward is breathing new life into the industry.&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>From waste to WOW!</strong>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>But Edward doesn’t stop there. He also partners with Danish manufacturers to upcycle “furniture waste.” A shining example? Design No. 1—a sleek table created in collaboration with Kvist Industries, made entirely from their discarded wood. It’s a statement piece born from sustainability, craftsmanship, and a refusal to waste potential. He’s redefining what “new” really means.&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Design Preowned doesn’t sell to private consumers. Instead, it focuses on the contract market—supplying sustainable, story-rich furnishings to businesses that care about design and impact.&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Architects and interior designers working in hospitality, retail, or workspace projects now have a new tool in their kit: refurbished furniture and upcycled materials that bring soul, style, and substance to every space.&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>They also offer repair and reupholstery services for existing furniture and even create custom-made pieces tailored to specific project needs.&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Come experience design with a past — and a future</strong>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>During 3daysofdesign, Edward invites the public to step inside his vision—literally. He’s opening a pop-up restaurant at Frederiksgade 1, right in the heart of the festival. The space will be furnished entirely with Design Preowned’s pieces—each one different, each with a story. Original artworks by Edward’s great-grandfather Gudmund Olsen will also be on display, on loan from the Gubi family’s personal collection.&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Expect an eclectic, atmospheric space that mixes wood tones, design eras, and stories—proof that sustainability and style don’t just coexist; they elevate each other.&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>To complete the experience, chef Enayat Safi—famed for his work at Dhaba and appearances on TV 2’s Go’ Morgen Danmark—will be serving vegan bites inspired by Indian infusion cuisine.&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Where:</strong> Frederiksgade 1, 4th floor, 1265 Copenhagen K&nbsp;<br><strong>When:</strong> 12:30–14:00 daily during 3daysofdesign&nbsp;<br><strong>Check out</strong>&nbsp; <a href=\"http://www.3daysofdesign.dk/\" target=\"_blank\" rel=\"noreferrer noopener\">www.3daysofdesign.dk</a> | <a href=\"http://www.designpreowned.com/\" target=\"_blank\" rel=\"noreferrer noopener\">www.designpreowned.com</a> and @designpreowned&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Press contact:</strong> Edward Gubi +45 31 69 86 05&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->', 'From Legacy to Longevity ', '', 'inherit', 'closed', 'closed', '', '1040-revision-v1', '', '', '2025-06-10 09:47:08', '2025-06-10 09:47:08', '', 1040, 'https://preowned.pixelpay-staging.com/?p=1144', 0, 'revision', '', 0),
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(1147, 1, '2025-06-10 09:54:51', '2025-06-10 09:54:51', '<!-- wp:heading -->\n<h2 class=\"wp-block-heading\"><strong>A new generation of the GUBI family launches design brand during 3daysofdesign</strong></h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>What if old furniture could tell new stories? And what happens when a young man from Denmark’s legendary GUBI family decides to flip the furniture industry on its head?&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>This summer, during 3daysofdesign, the 23 years old Edward Gubi introduces the world to Design Preowned—a fresh, forward-thinking design brand that’s rewriting the rules of sustainability, style, and storytelling in the furniture world.&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>But this is no ordinary startup. Design Preowned is rooted in a deep family legacy—Edward is the grandson of the founders of GUBI, the iconic Danish design house known around the world. Now, he’s stepping into the spotlight with a mission that’s as personal as it is planet-conscious: to rescue forgotten furniture icons and give them a second life.&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edward doesn’t design from scratch—he designs from history. He hunts down mid-century Scandinavian furniture that others have passed over: chairs, barstools, and loungers by lesser-known names like Henning Kjærnulf and Vagn Fuglsang. Pieces rich in character and craftsmanship, often neglected or discarded.&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Each piece is restored, refreshed, and reimagined—ready to live on in restaurants, hotels, bars, and offices for another 15–20 years. Reborn for a new generation. It’s a love letter to longevity in an industry still obsessed with the new.&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>With a sharp eye for overlooked classics and a commitment to sustainability, Edward is breathing new life into the industry.&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>From waste to WOW!</strong>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>But Edward doesn’t stop there. He also partners with Danish manufacturers to upcycle “furniture waste.” A shining example? Design No. 1—a sleek table created in collaboration with Kvist Industries, made entirely from their discarded wood. It’s a statement piece born from sustainability, craftsmanship, and a refusal to waste potential. He’s redefining what “new” really means.&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Design Preowned doesn’t sell to private consumers. Instead, it focuses on the contract market—supplying sustainable, story-rich furnishings to businesses that care about design and impact.&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Architects and interior designers working in hospitality, retail, or workspace projects now have a new tool in their kit: refurbished furniture and upcycled materials that bring soul, style, and substance to every space.&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>They also offer repair and reupholstery services for existing furniture and even create custom-made pieces tailored to specific project needs.&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Come experience design with a past — and a future</strong>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>During 3daysofdesign, Edward invites the public to step inside his vision—literally. He’s opening a pop-up restaurant at Frederiksgade 1, right in the heart of the festival. The space will be furnished entirely with Design Preowned’s pieces—each one different, each with a story. Original artworks by Edward’s great-grandfather Gudmund Olsen will also be on display, on loan from the Gubi family’s personal collection.&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Expect an eclectic, atmospheric space that mixes wood tones, design eras, and stories—proof that sustainability and style don’t just coexist; they elevate each other.&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>To complete the experience, chef Enayat Safi—famed for his work at Dhaba and appearances on TV 2’s Go’ Morgen Danmark—will be serving vegan bites inspired by Indian infusion cuisine.&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Where:</strong> Frederiksgade 1, 4th floor, 1265 Copenhagen K&nbsp;<br><strong>When:</strong> 12:30–14:00 daily during 3daysofdesign&nbsp;<br><strong>Check out</strong>&nbsp; <a href=\"http://www.3daysofdesign.dk/\" target=\"_blank\" rel=\"noreferrer noopener\">www.3daysofdesign.dk</a> | <a href=\"http://www.designpreowned.com/\" target=\"_blank\" rel=\"noreferrer noopener\">www.designpreowned.com</a> and @designpreowned&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Press contact:</strong> Edward Gubi +45 31 69 86 05&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->', 'From Legacy to Longevity ', '', 'inherit', 'closed', 'closed', '', '1040-revision-v1', '', '', '2025-06-10 09:54:51', '2025-06-10 09:54:51', '', 1040, 'https://preowned.pixelpay-staging.com/?p=1147', 0, 'revision', '', 0),
(1149, 1, '2025-06-10 12:15:53', '2025-06-10 12:15:53', '<!-- wp:paragraph -->\n<p>Text: <a href=\"https://www.linkedin.com/in/charlotteravnholt\">Charlotte Ravnholt</a> | Photos: Nadia Chafra and Emil Lyders</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The new Danish design brand <em>Design Preowned</em> perfectly illustrates the paradigm shift happening in the furniture industry. By preserving, repairing, and renovating existing furniture and reselling it to restaurants, bars, hotels, and offices, this young company takes an important step in the fight against climate change. Behind the visionary startup is 23-year-old Edward Gubi.<br>This is a story about reuse.<br>About design heritage and family legacy.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Redefining Reuse</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>“Preowned” rhymes with everything that tops today’s agenda. Put “pre-” or “re-” in front of a word and it becomes more relevant than ever: repair, rethink, rebuild, reimagine, recraft, reborn, renew, reinvent, reuse, recycle, restore, redefine, remake, resale, relove. Especially in the Danish furniture industry, which is currently transitioning to a greener and more circular future with designs that have minimal climate impact. This transformation-the breakthrough-is led by the younger generation. They are environmentally conscious, idealistic, value-driven, and think in activist and almost philanthropic terms. They want to make a difference. They carry messages-about respect, ethics, responsibility, and trust. For them, sustainability is a given, not a requirement. And 23-year-old Edward Gubi is a prime example of his generation.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>He founded Design Preowned in 2024 with the vision and philosophy of giving overlooked or forgotten furniture new life and an additional 20–30 years of use. Edward scouts, curates, and purchases the pieces no one else wants. So you won’t find the Egg, the Ant, or the Swan here. But these are still pieces that deserve a longer life-dust-covered and sitting in the corners of large second-hand halls. He finds them at auctions, online platforms, and estate sales, and even buys “furniture scrap” directly from manufacturers-surplus materials and production waste that he upcycles.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>One example is the <em>Design no. 1</em> table, co-designed with <a href=\"https://kvist.com/\">Kvist Industries</a> and made from waste wood from the Danish factory.<br>“Materials with minor defects are disqualified, discarded, and destroyed. Design Preowned tries to save all the materials that don’t pass the standard quality checks of the established furniture industry. It’s crazy that there are over 90 million tons of furniture waste globally each year!” says Edward Gubi.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Making Forgotten Furniture Matter Again</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edward mainly works with Scandinavian furniture-primarily chairs, bar stools, and lounge seating-refreshing and recontextualizing them for modern spaces and new generations.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>“By renovating instead of discarding, we reduce waste, save resources, and minimize environmental impact. Materials that would otherwise end up in landfills or incinerators get a new chance in a new context,” he explains.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In a time where sustainability, circularity, and responsible consumption matter more than ever, repairs play a crucial role. Instead of discarding a used chair and burdening the environment with a new one, Design Preowned’s chairs go through a careful and eco-friendly transformation that preserves their original beauty. Several companies are doing this. What’s new is that Edward doesn’t sell to private customers-you and me-but directly to B2B and contract markets. Design Preowned offers interior architects and designers a sustainable alternative by integrating preowned furniture or Edward’s own upcycled designs into their projects. They also offer restoration, renovation, and reupholstery services for existing corporate furniture, and deliver custom pieces for specific projects, including several street food concepts and a planned collaboration for <a href=\"https://copenhagenfashionweek.com/\">Copenhagen Fashion Week</a>.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>For many, decorating with reuse is becoming a bold statement-and a bonus: it creates a more personal, quirky atmosphere where furniture doesn’t need to match perfectly. This mindset especially resonates with the fashion industry.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>From Tomato Scraps to Design Breakthroughs</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edward got the idea for Design Preowned last Easter while browsing auction sites, hoping to “make a bit of extra money” flipping furniture. As the name suggests, he was born into a family of design and art, with a deep-rooted passion for aesthetics. He follows in the footsteps of his grandparents, who founded GUBI in the 1970s, and his father and uncle, who also have decades of experience in the design world.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edward, however, has worked as a chef since his early teens. He’s dyslexic and struggled to sit still in school-but he was creative and loved cooking. He started working for Michelin-starred chef Francis Cardenau at Restaurant Sommelier in Copenhagen and later became sous-chef at Famo Saxo, where he still works 3–4 days a week while devoting the rest of his time to his startup.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>He shares a small anecdote about slicing tomatoes for sauce in a restaurant kitchen, instinctively discarding the “bad” ones. His chef told him to use the good parts and discard the rest-that a great sauce could still be made. That moment stuck with him. Since then, he’s always challenged himself creatively: <em>What can I do with the leftovers?</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A Workshop in Nordhavn and a Grand Vision</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edward started with eight chairs. Today, he runs an ambitious business with a workshop and a large warehouse in Nordhavn.<br>“I love the Nordhavn freetown vibe-with carpenters and craftsmen focused on eco-friendly processes and circular economy. I’ve learned a lot by watching over their shoulders. And of course, I’ve leaned on my family too,” says Edward.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>He admits his last name and family network made things a bit easier when reaching out to industry contacts. But good connections mean nothing without the right vision. His grandmother, Lisbeth Gubi, has also invested in Design Preowned-because turning a good idea into a good business takes real capital and effort.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Craft Over Name Recognition</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Design Preowned focuses exclusively on beautiful, timeless, quality furniture, especially mid-century design by lesser-known names. It all started with Henning Kjærnulf’s “razor blade chair” from the 1960s-crafted in oak with curved, blade-shaped backrests.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>“I work with reuse, not vintage or high-end design art. I care more about the design than the designer\'s name. I trust my own filter and buy only what I personally like and can picture in a cool setting,” says Edward, who has a knack for spotting future must-haves.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>There’s something raw and unfiltered-almost dogmatic-about his approach. What you see is what you get. He even buys old school furniture—and sometimes finds 40-year-old gum stuck underneath.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Every piece tells a story, and patina is an essential part of their identity. All furniture is chosen with respect for great design and craftsmanship.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Design Preowned’s pieces are often priced comparably to IKEA, but you’re getting solid oak furniture that’s 60-100 years old-even up to 125 in some cases.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>“There are many hospitality businesses, like restaurants, that don’t have big budgets. With us, everyone can join in-and it’s also just cozier with unique, mismatched pieces. More casual, more urban, less uniform. We’re also developing combo menus so people can buy a whole setting if they’re unsure how to mix and match,” says Edward.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A Call to Action for the Furniture Industry</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The furniture industry has been struggling in recent years, especially with the green transition. But if more people looked over Edward’s shoulder-let materials and availability guide design instead of cutting down more trees-the industry could make a real difference in the climate crisis.<br>“Design will save the world” is a familiar slogan-and one Edward Gubi fully embraces.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>With Design Preowned’s sustainable reuse model, you invest in a greener future without compromising aesthetics or function.<br>“Our short-term goal is to achieve 98% carbon neutrality in our entire production,” Edward says.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The Gubi family can confidently pass the torch. Sixty years of design legacy continues in the hands of a young man with exactly the right ambitions…</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong> The Gubi Family</strong><br>For five decades, the Gubi family has left its mark on Danish furniture. Edward’s grandparents, Lisbeth and Gubi Olsen, founded the Danish design brand GUBI, now a global design house. GUBI is known for both contemporary creations and reviving archival pieces. Gubi Olsen (1947–2023), born Bjarke Gudmond Olsen, studied at Den Permanente Udstilling and founded GUBI in 1967 at age 20 with Lisbeth. <a href=\"https://gubi.com/\">GUBI</a> became a brand in 1976. After a generational transition, their son Jacob took over. In 2018, the private equity fund Axcel acquired a majority stake in a billion-kroner deal. Edward’s great-grandfather was painter Gudmund Olsen (1913–1985), so art also runs in the family. As a poetic gesture, Edward included a paper airplane in the Design Preowned logo-an image from his great-grandfather’s paintings-symbolizing resilience. A paper plane always gets picked up, its wings adjusted, and sent off again.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong> Design Preowned at 3daysofdesign</strong><br>During <em><a href=\"https://www.3daysofdesign.dk/\">3daysofdesign</a></em>, Edward Gubi is opening a pop-up restaurant on the 4th floor of Frederiksgade 1 - the festival’s epicenter. The restaurant will feature an eclectic mix of <em>Design Preowned</em> furniture - mismatched chairs and tables - and artworks by Edward’s great-grandfather, Gudmund Olsen, on loan from the family collection. Here, Edward demonstrates how classic yet unknown preowned pieces can be integrated into modern interiors alongside furniture made from scrap materials. Expect a warm, personality-filled space where history and craftsmanship go hand in hand. Vegan tastings from the Indian fusion chef Enayat Safi (known from <em>Dhaba</em> and <em>Go’ Morgen Danmark</em> on TV2) will be served. Capacity: 30 guests. All are welcome.<br>More info: <a class=\"\" href=\"http://www.3daysofdesign.dk\">www.3daysofdesign.dk</a> | <a class=\"\" href=\"http://www.designpreowned.com\">www.designpreowned.com</a></p>\n<!-- /wp:paragraph -->', 'From Worn to Wonderful!', '', 'publish', 'closed', 'closed', '', 'from-worn-to-wonderful', '', '', '2025-06-15 13:28:44', '2025-06-15 13:28:44', '', 0, 'https://preowned.pixelpay-staging.com/?post_type=press&#038;p=1149', 0, 'press', '', 0),
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(1151, 1, '2025-06-10 12:15:53', '2025-06-10 12:15:53', '<!-- wp:paragraph -->\n<p>Text: Charlotte Ravnholt | Photos: Nadia Chafra and Emil Lyders</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The new Danish design brand <em>Design Preowned</em> perfectly illustrates the paradigm shift happening in the furniture industry. By preserving, repairing, and renovating existing furniture and reselling it to restaurants, bars, hotels, and offices, this young company takes an important step in the fight against climate change. Behind the visionary startup is 23-year-old Edward Gubi.<br>This is a story about reuse.<br>About design heritage and family legacy.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Redefining Reuse</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>“Preowned” rhymes with everything that tops today’s agenda. Put “pre-” or “re-” in front of a word and it becomes more relevant than ever: repair, rethink, rebuild, reimagine, recraft, reborn, renew, reinvent, reuse, recycle, restore, redefine, remake, resale, relove. Especially in the Danish furniture industry, which is currently transitioning to a greener and more circular future with designs that have minimal climate impact. This transformation—the breakthrough—is led by the younger generation. They are environmentally conscious, idealistic, value-driven, and think in activist and almost philanthropic terms. They want to make a difference. They carry messages—about respect, ethics, responsibility, and trust. For them, sustainability is a given, not a requirement. And 23-year-old Edward Gubi is a prime example of his generation.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>He founded Design Preowned in 2024 with the vision and philosophy of giving overlooked or forgotten furniture new life and an additional 20–30 years of use. Edward scouts, curates, and purchases the pieces no one else wants. So you won’t find the Egg, the Ant, or the Swan here. But these are still pieces that deserve a longer life—dust-covered and sitting in the corners of large second-hand halls. He finds them at auctions, online platforms, and estate sales, and even buys “furniture scrap” directly from manufacturers—surplus materials and production waste that he upcycles.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>One example is the <em>Design no. 1</em> table, co-designed with Kvist Industries and made from waste wood from the Danish factory.<br>“Materials with minor defects are disqualified, discarded, and destroyed. Design Preowned tries to save all the materials that don’t pass the standard quality checks of the established furniture industry. It’s crazy that there are over 90 million tons of furniture waste globally each year!” says Edward Gubi.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Making Forgotten Furniture Matter Again</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edward mainly works with Scandinavian furniture—primarily chairs, bar stools, and lounge seating—refreshing and recontextualizing them for modern spaces and new generations.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>“By renovating instead of discarding, we reduce waste, save resources, and minimize environmental impact. Materials that would otherwise end up in landfills or incinerators get a new chance in a new context,” he explains.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In a time where sustainability, circularity, and responsible consumption matter more than ever, repairs play a crucial role. Instead of discarding a used chair and burdening the environment with a new one, Design Preowned’s chairs go through a careful and eco-friendly transformation that preserves their original beauty. Several companies are doing this. What’s new is that Edward doesn’t sell to private customers—you and me—but directly to B2B and contract markets. Design Preowned offers interior architects and designers a sustainable alternative by integrating preowned furniture or Edward’s own upcycled designs into their projects. They also offer restoration, renovation, and reupholstery services for existing corporate furniture, and deliver custom pieces for specific projects, including several street food concepts and a planned collaboration for Copenhagen Fashion Week.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>For many, decorating with reuse is becoming a bold statement—and a bonus: it creates a more personal, quirky atmosphere where furniture doesn’t need to match perfectly. This mindset especially resonates with the fashion industry.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>From Tomato Scraps to Design Breakthroughs</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edward got the idea for Design Preowned last Easter while browsing auction sites, hoping to “make a bit of extra money” flipping furniture. As the name suggests, he was born into a family of design and art, with a deep-rooted passion for aesthetics. He follows in the footsteps of his grandparents, who founded GUBI in the 1970s, and his father and uncle, who also have decades of experience in the design world.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edward, however, has worked as a chef since his early teens. He’s dyslexic and struggled to sit still in school—but he was creative and loved cooking. He started working for Michelin-starred chef Francis Cardenau at Restaurant Sommelier in Copenhagen and later became sous-chef at Famo Saxo, where he still works 3–4 days a week while devoting the rest of his time to his startup.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>He shares a small anecdote about slicing tomatoes for sauce in a restaurant kitchen, instinctively discarding the “bad” ones. His chef told him to use the good parts and discard the rest—that a great sauce could still be made. That moment stuck with him. Since then, he’s always challenged himself creatively: <em>What can I do with the leftovers?</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A Workshop in Nordhavn and a Grand Vision</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edward started with eight chairs. Today, he runs an ambitious business with a workshop and a large warehouse in Nordhavn.<br>“I love the Nordhavn freetown vibe—with carpenters and craftsmen focused on eco-friendly processes and circular economy. I’ve learned a lot by watching over their shoulders. And of course, I’ve leaned on my family too,” says Edward.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>He admits his last name and family network made things a bit easier when reaching out to industry contacts. But good connections mean nothing without the right vision. His grandmother, Lisbeth Gubi, has also invested in Design Preowned—because turning a good idea into a good business takes real capital and effort.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Craft Over Name Recognition</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Design Preowned focuses exclusively on beautiful, timeless, quality furniture, especially mid-century design by lesser-known names. It all started with Henning Kjærnulf’s “razor blade chair” from the 1960s—crafted in oak with curved, blade-shaped backrests.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>“I work with reuse, not vintage or high-end design art. I care more about the design than the designer\'s name. I trust my own filter and buy only what I personally like and can picture in a cool setting,” says Edward, who has a knack for spotting future must-haves.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>There’s something raw and unfiltered—almost dogmatic—about his approach. What you see is what you get. He even buys old school furniture—and sometimes finds 40-year-old gum stuck underneath.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Every piece tells a story, and patina is an essential part of their identity. All furniture is chosen with respect for great design and craftsmanship.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Design Preowned’s pieces are often priced comparably to IKEA, but you’re getting solid oak furniture that’s 60–100 years old—even up to 125 in some cases.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>“There are many hospitality businesses, like restaurants, that don’t have big budgets. With us, everyone can join in—and it’s also just cozier with unique, mismatched pieces. More casual, more urban, less uniform. We’re also developing combo menus so people can buy a whole setting if they’re unsure how to mix and match,” says Edward.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A Call to Action for the Furniture Industry</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The furniture industry has been struggling in recent years, especially with the green transition. But if more people looked over Edward’s shoulder—let materials and availability guide design instead of cutting down more trees—the industry could make a real difference in the climate crisis.<br>“Design will save the world” is a familiar slogan—and one Edward Gubi fully embraces.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>With Design Preowned’s sustainable reuse model, you invest in a greener future without compromising aesthetics or function.<br>“Our short-term goal is to achieve 98% carbon neutrality in our entire production,” Edward says.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The Gubi family can confidently pass the torch. Sixty years of design legacy continues in the hands of a young man with exactly the right ambitions…</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Box 1: The Gubi Family</strong><br>For five decades, the Gubi family has left its mark on Danish furniture. Edward’s grandparents, Lisbeth and Gubi Olsen, founded the Danish design brand GUBI, now a global design house. GUBI is known for both contemporary creations and reviving archival pieces. Gubi Olsen (1947–2023), born Bjarke Gudmond Olsen, studied at Den Permanente Udstilling and founded GUBI in 1967 at age 20 with Lisbeth. GUBI became a brand in 1976. After a generational transition, their son Jacob took over. In 2018, the private equity fund Axcel acquired a majority stake in a billion-kroner deal. Edward’s great-grandfather was painter Gudmund Olsen (1913–1985), so art also runs in the family. As a poetic gesture, Edward included a paper airplane in the Design Preowned logo—an image from his great-grandfather’s paintings—symbolizing resilience. A paper plane always gets picked up, its wings adjusted, and sent off again.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Box 2: Design Preowned at 3daysofdesign</strong><br>During <em>3daysofdesign</em>, Edward Gubi is opening a pop-up restaurant on the 4th floor of Frederiksgade 1 — the festival’s epicenter. The restaurant will feature an eclectic mix of <em>Design Preowned</em> furniture — mismatched chairs and tables — and artworks by Edward’s great-grandfather, Gudmund Olsen, on loan from the family collection. Here, Edward demonstrates how classic yet unknown preowned pieces can be integrated into modern interiors alongside furniture made from scrap materials. Expect a warm, personality-filled space where history and craftsmanship go hand in hand. Vegan tastings from the Indian fusion chef Enayat Safi (known from <em>Dhaba</em> and <em>Go’ Morgen Danmark</em> on TV2) will be served. Capacity: 30 guests. All are welcome.<br>More info: <a class=\"\" href=\"http://www.3daysofdesign.dk\">www.3daysofdesign.dk</a> | <a class=\"\" href=\"http://www.designpreowned.com\">www.designpreowned.com</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Box 3: Step-by-Step Process</strong><br><em>Design Preowned</em> leads the push for a greener furniture industry with a clear goal: zero deforestation and zero wood waste. Every step is designed to reduce climate impact and eventually achieve carbon neutrality.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol class=\"wp-block-list\"><!-- wp:list-item -->\n<li><strong>Pickup from seller:</strong> Using eco-friendly packaging where possible. Transported to the Nordhavn warehouse using low-emission vehicles and Green Choice logistics. Large batches are moved efficiently to reduce unnecessary trips and overall CO₂ emissions.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li><strong>Quality check:</strong> Thorough inspection to assess needed repairs.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li><strong>Repairs:</strong> Structural or surface damage is fixed using reclaimed wood rather than new materials. Only furniture with detachable seats is bought to save energy and cost on transport.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li><strong>Cleaning:</strong> Items are washed with probiotics and disinfected using 100% biodegradable, chemical-free cleaning products.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li><strong>Refinishing:</strong> Unvarnished pieces are sanded, repaired, and oiled.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li><strong>Upholstery:</strong> Seats are sent to a factory in Poland that works with Danish furniture. Though not 100% climate-neutral, the existing logistics make it the best solution. Natural materials are used: second- or third-grade leather from B Corp-certified Sørensen Leather or sheepskin from Skandilock. Textile scraps may be added in the future.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li><strong>Final inspection:</strong> Each piece undergoes final quality control. The process is digitally logged and tied to a unique product ID, providing transparency and a traceable history. This tracking will form the basis of future ESG reports and carbon accounting.</li>\n<!-- /wp:list-item --></ol>\n<!-- /wp:list -->', 'From Worn to Wonderful!', '', 'inherit', 'closed', 'closed', '', '1149-revision-v1', '', '', '2025-06-10 12:15:53', '2025-06-10 12:15:53', '', 1149, 'https://preowned.pixelpay-staging.com/?p=1151', 0, 'revision', '', 0),
(1152, 1, '2025-06-10 14:06:49', '2025-06-10 14:06:49', '<!-- wp:heading -->\n<h2 class=\"wp-block-heading\"><strong>Behind the Designer: Hans J. Wegner</strong></h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Few designers have left as profound a mark on modern furniture as Hans J. Wegner. Known as “the master of the chair,” the Danish designer created over 500 chairs during his lifetime - many of which are now considered masterpieces of modern design. But beyond his prolific output, Wegner’s real legacy lies in his unwavering commitment to craftsmanship, material honesty, and enduring beauty - values that resonate deeply with Design Preowned’s vision of a circular, quality-first furniture culture.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Born in 1914 in Tønder, a small town in southern Denmark, Wegner began his design journey not at a drawing board, but at a workbench. At the age of 14, he began an apprenticeship with local cabinetmaker H.F. Stahlberg, where he developed a deep respect for traditional woodworking. This hands-on foundation remained with him throughout his life and set him apart from many of his contemporaries. After completing his apprenticeship, he enrolled at the Danish School of Arts and Crafts in Copenhagen, where he fused his technical mastery with design thinking.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wegner’s career took off in the 1940s when he worked with architects Arne Jacobsen and Erik Møller on the interior design of Aarhus City Hall. It was here that he began developing chairs specifically tailored to architectural spaces - furniture that complemented and enhanced its surroundings rather than competed with them. His approach was rooted in the belief that design should be functional, comfortable, and quietly elegant - never forced or ostentatious.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In 1949, Wegner designed the now-iconic <em>Wishbone Chair</em> (CH24) for Carl Hansen &amp; Søn. Inspired by Ming Dynasty seating, the chair features a softly curved back, a Y-shaped support, and a hand-woven paper cord seat. Light, sculptural, and inviting, it represents everything Wegner stood for: simplicity, ergonomics, and craftsmanship. Still in production today, the Wishbone Chair has become a global symbol of Danish modernism - and a perfect example of sustainable design through longevity.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Another standout is the <em>Round Chair</em> (also known simply as “The Chair”), designed in 1949. Its elegant circular form and seamless joinery made it an international sensation, especially after it was chosen for the first-ever televised U.S. presidential debate between John F. Kennedy and Richard Nixon in 1960. That moment propelled Wegner into the global spotlight and positioned Scandinavian design at the forefront of mid-century modernism.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Despite his international fame, Wegner never abandoned his roots. He remained deeply involved in the production process, often working closely with craftspeople and small Danish manufacturers like PP Møbler. His studio was not a distant ivory tower, but a workshop where prototypes were tested, joints were refined, and wood was shaped by hand. He often said, “The good chair is a task one is never completely done with” - a sentiment that speaks to his tireless pursuit of perfection.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wegner’s design language is distinctly Danish: organic yet precise, democratic yet elevated. He eschewed decorative flourishes in favor of structure-driven beauty. For him, every curve, joint, and surface had a purpose. His preference for natural materials - especially oak, teak, and ash - reflected a deep respect for the inherent qualities of wood. In Wegner’s world, the soul of a piece wasn’t in its ornamentation, but in its integrity.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Today, Wegner’s work remains as relevant as ever. His chairs continue to be produced by legacy manufacturers using traditional methods, while vintage originals fetch high prices at international auctions. They are favored by architects, collectors, and design purists - not only for their aesthetic appeal but for their durability and timelessness. In an era dominated by fast furniture and planned obsolescence, Wegner’s creations remind us of a different way: one where design is meant to last, and every object has a story.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At Design Preowned, Wegner’s principles live on in our approach to restoration and reuse. Many of his original pieces have passed through our hands - from early Carl Hansen editions to rare, limited-run models. Each restoration is treated as a tribute to the designer’s intent: respecting the original materials, reviving craftsmanship, and extending the life of an object already built to endure. 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Our short-term goal: 98% CO₂ neutrality across the full lifecycle - from sourcing and repair to delivery and tracking.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>With every chair, table, or stool, we reduce landfill waste and give materials a second chance. This is not just sustainability - it\'s stewardship.</p>\n<!-- /wp:paragraph --></div>\n<!-- /wp:column -->\n\n<!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:paragraph -->\n<p><strong>Our Vision</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>We envision a furniture industry that designs less and preserves more. Where reuse is as desirable as reinvention. Where patina is celebrated, not hidden. 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(1211, 1, '2025-06-11 09:57:15', '2025-06-11 09:57:15', '<!-- wp:paragraph -->\n<p>Founded in 2024 by Edward Gubi, Design Preowned is rooted in a proud Danish design legacy and driven by a bold vision for a circular future. The company draws inspiration from Edward’s family heritage — tracing back to the founding of GUBI in 1976 by his grandparents, Lisbeth and Gubi Olsen. Following Gubi Olsen’s passing in 2023, Lisbeth Gubi invested in Design Preowned to support a new generation of responsible design thinking.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Guided by this lineage and purpose, our philosophy is simple: forgotten furniture deserves a second life. Through expert restoration, upcycling, and sustainable craftsmanship, we breathe new life into overlooked pieces — ensuring they shine again in modern settings for decades to come.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Our Three Circular Paths</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Recrafted Furniture</strong><br><br>We source original wood furniture from across Scandinavia — well-known and anonymous designs alike — and recraft them through expert restoration. These preowned pieces are cleaned, repaired, and reupholstered with premium materials to extend their life by 30–50 years. Perfect for businesses, restaurants, and offices looking to combine timeless design with conscious consumption.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Business Furniture Restoration</strong><br><br>Why buy new when you can revive what you already own? We offer on-site collection and full-service restoration of your company’s existing furniture. From new upholstery in Sørensen leather or eco-labeled wool to structural repairs and refreshed finishes, we help organizations reduce waste, lower emissions, and upgrade their interiors — all while aligning with ESG goals</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Waste to Collection</strong><br><br>Our most visionary line turns industrial waste into new, original furniture. In partnership with top manufacturers like Kvist Industries, we transform surplus wood and discarded materials into high-end, small-batch designs — such as the iconic Table No. 1. Every piece is a story of innovation, co-creation, and circular beauty.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:columns -->\n<div class=\"wp-block-columns\"><!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:paragraph -->\n<p><strong>Our Commitment</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>We operate with a zero deforestation policy, using only reclaimed or upcycled wood. Every item is processed in Copenhagen and restored by skilled craftsmen, using organic cleaning agents, natural oils, and low-impact logistics. Our short-term goal: 98% CO₂ neutrality across the full lifecycle - from sourcing and repair to delivery and tracking.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>With every chair, table, or stool, we reduce landfill waste and give materials a second chance. This is not just sustainability - it\'s stewardship.</p>\n<!-- /wp:paragraph --></div>\n<!-- /wp:column -->\n\n<!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:paragraph -->\n<p><strong>Our Vision</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>We envision a furniture industry that designs less and preserves more. Where reuse is as desirable as reinvention. Where patina is celebrated, not hidden. And where every piece of furniture is a functional icon of responsibility, story, and craft.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>By partnering with interior designers, architects, and visionary companies, we are building not only better interiors — but a better future.</p>\n<!-- /wp:paragraph --></div>\n<!-- /wp:column --></div>\n<!-- /wp:columns -->', 'About Design Preowned', '', 'inherit', 'closed', 'closed', '', '63-revision-v1', '', '', '2025-06-11 09:57:15', '2025-06-11 09:57:15', '', 63, 'https://preowned.pixelpay-staging.com/?p=1211', 0, 'revision', '', 0),
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INSERT INTO `preo_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES
(1226, 1, '2025-06-11 11:32:37', '2025-06-11 11:32:37', '<!-- wp:paragraph -->\n<p>Text: Charlotte Ravnholt | Photos: Nadia Chafra and Emil Lyders</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The new Danish design brand <em>Design Preowned</em> perfectly illustrates the paradigm shift happening in the furniture industry. By preserving, repairing, and renovating existing furniture and reselling it to restaurants, bars, hotels, and offices, this young company takes an important step in the fight against climate change. Behind the visionary startup is 23-year-old Edward Gubi.<br>This is a story about reuse.<br>About design heritage and family legacy.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Redefining Reuse</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>“Preowned” rhymes with everything that tops today’s agenda. Put “pre-” or “re-” in front of a word and it becomes more relevant than ever: repair, rethink, rebuild, reimagine, recraft, reborn, renew, reinvent, reuse, recycle, restore, redefine, remake, resale, relove. Especially in the Danish furniture industry, which is currently transitioning to a greener and more circular future with designs that have minimal climate impact. This transformation—the breakthrough—is led by the younger generation. They are environmentally conscious, idealistic, value-driven, and think in activist and almost philanthropic terms. They want to make a difference. They carry messages—about respect, ethics, responsibility, and trust. For them, sustainability is a given, not a requirement. And 23-year-old Edward Gubi is a prime example of his generation.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>He founded Design Preowned in 2024 with the vision and philosophy of giving overlooked or forgotten furniture new life and an additional 20–30 years of use. Edward scouts, curates, and purchases the pieces no one else wants. So you won’t find the Egg, the Ant, or the Swan here. But these are still pieces that deserve a longer life—dust-covered and sitting in the corners of large second-hand halls. He finds them at auctions, online platforms, and estate sales, and even buys “furniture scrap” directly from manufacturers—surplus materials and production waste that he upcycles.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>One example is the <em>Design no. 1</em> table, co-designed with Kvist Industries and made from waste wood from the Danish factory.<br>“Materials with minor defects are disqualified, discarded, and destroyed. Design Preowned tries to save all the materials that don’t pass the standard quality checks of the established furniture industry. It’s crazy that there are over 90 million tons of furniture waste globally each year!” says Edward Gubi.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Making Forgotten Furniture Matter Again</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edward mainly works with Scandinavian furniture—primarily chairs, bar stools, and lounge seating—refreshing and recontextualizing them for modern spaces and new generations.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>“By renovating instead of discarding, we reduce waste, save resources, and minimize environmental impact. Materials that would otherwise end up in landfills or incinerators get a new chance in a new context,” he explains.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In a time where sustainability, circularity, and responsible consumption matter more than ever, repairs play a crucial role. Instead of discarding a used chair and burdening the environment with a new one, Design Preowned’s chairs go through a careful and eco-friendly transformation that preserves their original beauty. Several companies are doing this. What’s new is that Edward doesn’t sell to private customers—you and me—but directly to B2B and contract markets. Design Preowned offers interior architects and designers a sustainable alternative by integrating preowned furniture or Edward’s own upcycled designs into their projects. They also offer restoration, renovation, and reupholstery services for existing corporate furniture, and deliver custom pieces for specific projects, including several street food concepts and a planned collaboration for Copenhagen Fashion Week.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>For many, decorating with reuse is becoming a bold statement—and a bonus: it creates a more personal, quirky atmosphere where furniture doesn’t need to match perfectly. This mindset especially resonates with the fashion industry.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>From Tomato Scraps to Design Breakthroughs</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edward got the idea for Design Preowned last Easter while browsing auction sites, hoping to “make a bit of extra money” flipping furniture. As the name suggests, he was born into a family of design and art, with a deep-rooted passion for aesthetics. He follows in the footsteps of his grandparents, who founded GUBI in the 1970s, and his father and uncle, who also have decades of experience in the design world.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edward, however, has worked as a chef since his early teens. He’s dyslexic and struggled to sit still in school—but he was creative and loved cooking. He started working for Michelin-starred chef Francis Cardenau at Restaurant Sommelier in Copenhagen and later became sous-chef at Famo Saxo, where he still works 3–4 days a week while devoting the rest of his time to his startup.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>He shares a small anecdote about slicing tomatoes for sauce in a restaurant kitchen, instinctively discarding the “bad” ones. His chef told him to use the good parts and discard the rest—that a great sauce could still be made. That moment stuck with him. Since then, he’s always challenged himself creatively: <em>What can I do with the leftovers?</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A Workshop in Nordhavn and a Grand Vision</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edward started with eight chairs. Today, he runs an ambitious business with a workshop and a large warehouse in Nordhavn.<br>“I love the Nordhavn freetown vibe—with carpenters and craftsmen focused on eco-friendly processes and circular economy. I’ve learned a lot by watching over their shoulders. And of course, I’ve leaned on my family too,” says Edward.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>He admits his last name and family network made things a bit easier when reaching out to industry contacts. But good connections mean nothing without the right vision. His grandmother, Lisbeth Gubi, has also invested in Design Preowned—because turning a good idea into a good business takes real capital and effort.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Craft Over Name Recognition</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Design Preowned focuses exclusively on beautiful, timeless, quality furniture, especially mid-century design by lesser-known names. It all started with Henning Kjærnulf’s “razor blade chair” from the 1960s—crafted in oak with curved, blade-shaped backrests.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>“I work with reuse, not vintage or high-end design art. I care more about the design than the designer\'s name. I trust my own filter and buy only what I personally like and can picture in a cool setting,” says Edward, who has a knack for spotting future must-haves.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>There’s something raw and unfiltered—almost dogmatic—about his approach. What you see is what you get. He even buys old school furniture—and sometimes finds 40-year-old gum stuck underneath.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Every piece tells a story, and patina is an essential part of their identity. All furniture is chosen with respect for great design and craftsmanship.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Design Preowned’s pieces are often priced comparably to IKEA, but you’re getting solid oak furniture that’s 60–100 years old—even up to 125 in some cases.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>“There are many hospitality businesses, like restaurants, that don’t have big budgets. With us, everyone can join in—and it’s also just cozier with unique, mismatched pieces. More casual, more urban, less uniform. We’re also developing combo menus so people can buy a whole setting if they’re unsure how to mix and match,” says Edward.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A Call to Action for the Furniture Industry</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The furniture industry has been struggling in recent years, especially with the green transition. But if more people looked over Edward’s shoulder—let materials and availability guide design instead of cutting down more trees—the industry could make a real difference in the climate crisis.<br>“Design will save the world” is a familiar slogan—and one Edward Gubi fully embraces.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>With Design Preowned’s sustainable reuse model, you invest in a greener future without compromising aesthetics or function.<br>“Our short-term goal is to achieve 98% carbon neutrality in our entire production,” Edward says.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The Gubi family can confidently pass the torch. Sixty years of design legacy continues in the hands of a young man with exactly the right ambitions…</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Box 1: The Gubi Family</strong><br>For five decades, the Gubi family has left its mark on Danish furniture. Edward’s grandparents, Lisbeth and Gubi Olsen, founded the Danish design brand GUBI, now a global design house. GUBI is known for both contemporary creations and reviving archival pieces. Gubi Olsen (1947–2023), born Bjarke Gudmond Olsen, studied at Den Permanente Udstilling and founded GUBI in 1967 at age 20 with Lisbeth. GUBI became a brand in 1976. After a generational transition, their son Jacob took over. In 2018, the private equity fund Axcel acquired a majority stake in a billion-kroner deal. Edward’s great-grandfather was painter Gudmund Olsen (1913–1985), so art also runs in the family. As a poetic gesture, Edward included a paper airplane in the Design Preowned logo—an image from his great-grandfather’s paintings—symbolizing resilience. A paper plane always gets picked up, its wings adjusted, and sent off again.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Box 2: Design Preowned at 3daysofdesign</strong><br>During <em>3daysofdesign</em>, Edward Gubi is opening a pop-up restaurant on the 4th floor of Frederiksgade 1 — the festival’s epicenter. The restaurant will feature an eclectic mix of <em>Design Preowned</em> furniture — mismatched chairs and tables — and artworks by Edward’s great-grandfather, Gudmund Olsen, on loan from the family collection. Here, Edward demonstrates how classic yet unknown preowned pieces can be integrated into modern interiors alongside furniture made from scrap materials. Expect a warm, personality-filled space where history and craftsmanship go hand in hand. Vegan tastings from the Indian fusion chef Enayat Safi (known from <em>Dhaba</em> and <em>Go’ Morgen Danmark</em> on TV2) will be served. Capacity: 30 guests. All are welcome.<br>More info: <a class=\"\" href=\"http://www.3daysofdesign.dk\">www.3daysofdesign.dk</a> | <a class=\"\" href=\"http://www.designpreowned.com\">www.designpreowned.com</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Box 3: Step-by-Step Process</strong><br><em>Design Preowned</em> leads the push for a greener furniture industry with a clear goal: zero deforestation and zero wood waste. Every step is designed to reduce climate impact and eventually achieve carbon neutrality.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol class=\"wp-block-list\"><!-- wp:list-item -->\n<li><strong>Pickup from seller:</strong> Using eco-friendly packaging where possible. Transported to the Nordhavn warehouse using low-emission vehicles and Green Choice logistics. Large batches are moved efficiently to reduce unnecessary trips and overall CO₂ emissions.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li><strong>Quality check:</strong> Thorough inspection to assess needed repairs.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li><strong>Repairs:</strong> Structural or surface damage is fixed using reclaimed wood rather than new materials. Only furniture with detachable seats is bought to save energy and cost on transport.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li><strong>Cleaning:</strong> Items are washed with probiotics and disinfected using 100% biodegradable, chemical-free cleaning products.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li><strong>Refinishing:</strong> Unvarnished pieces are sanded, repaired, and oiled.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li><strong>Upholstery:</strong> Seats are sent to a factory in Poland that works with Danish furniture. 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(1618, 1, '2025-06-13 18:49:59', '2025-06-13 18:49:59', '<!-- wp:paragraph -->\n<p><strong>Designed from waste. Crafted for impact.</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In the world of design, what often matters most is what you don’t see. The offcuts. The factory rejects. The second-sort surfaces with a scratch too many. These are the materials that don’t make it into the showroom - but that’s where Design Preowned steps in.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Our <strong>Waste to Collection</strong> line was born out of a simple question: <em>What if industrial waste could become high-quality, desirable furniture?</em> Today, this idea has grown into one of our most innovative and future-facing product streams - where surplus becomes source, and furniture is designed not despite waste, but because of it.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"/>\n<!-- /wp:separator -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 class=\"wp-block-heading\"><strong>Furniture with a Different Origin Story</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>In traditional furniture manufacturing, materials are discarded at an alarming rate. Panels with surface marks, slight color differences, excess batches, or shapes cut and never used - all of this is usually destined for landfill or incineration. Despite being functional, durable, and beautiful, these materials are excluded from final production.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At Design Preowned, we see value where others see waste.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Instead of sourcing new wood, we build collections using what already exists. We work directly with leading Danish furniture manufacturers to <strong>rescue their production surplus</strong> - giving it a second life through thoughtful design. It’s a process rooted in <strong>regeneration, circularity, and respect for materials</strong>.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"/>\n<!-- /wp:separator -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 class=\"wp-block-heading\"><strong>From Factory Floor to Design Collection</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>One of the first examples of this philosophy is <strong>Table Design No. 1</strong>, developed in collaboration with <strong>Kvist Industries</strong>. This piece is crafted entirely from leftover wood harvested from their Danish production facility. Every table is unique - not just in its material origin, but in its story.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The wood used in this line would typically be too small, too marked, or too mismatched to be included in their standard collections. But for us, those characteristics offer texture, honesty, and depth. Rather than hiding imperfections, we honour them - letting the raw material shine in new forms and uses.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>This is not about “eco-style” aesthetics. It’s about <strong>reengineering value</strong>: using overlooked inputs to create lasting outputs.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"/>\n<!-- /wp:separator -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 class=\"wp-block-heading\"><strong>Our Partners in Regeneration</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>As part of our mission to scale sustainable design, we’re developing <strong>long-term partnerships with Scandinavian manufacturers</strong> that share our mindset. These are companies already producing high-end furniture, but who also experience unavoidable waste as part of the process.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>We offer them a solution: turn that waste into <strong>new revenue, real impact, and refined design</strong>.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>By co-designing new furniture pieces from their surplus, we unlock creative and commercial opportunities - while reducing emissions, material costs, and landfill dependency. These partnerships are the future of our <strong>Waste to Collection line</strong>, with multiple new pieces in development across seating, tables, and hybrid modular designs.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"/>\n<!-- /wp:separator -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 class=\"wp-block-heading\"><strong>Designing With Constraints - and Intent</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Designing with waste is not easier. In fact, it demands more creativity.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Each piece we create must adapt to the limitations of the materials available - not the other way around. Our design team embraces this constraint as a <strong>creative opportunity</strong>: to experiment with modularity, reversible joints, mixed surfaces, and smart construction that elevates irregular pieces into elegant solutions.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>This process invites a more meaningful dialogue between designer and material. Nothing is arbitrary. Nothing is mass-produced. Every shape, finish, and joint is driven by necessity — and transformed by imagination.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"/>\n<!-- /wp:separator -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 class=\"wp-block-heading\"><strong>For Businesses That Want to Lead by Example</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Whether you’re designing a sustainable hotel, curating a restaurant with character, or outfitting your office with ESG in mind, <strong>Waste to Collection</strong> offers more than style. It offers <strong>substance, transparency, and accountability</strong>.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Each piece is delivered with a <strong>unique product ID and QR code</strong> powered by our partner PixelPai, allowing full traceability of the material’s origin, environmental impact, and journey through production. This data can be integrated into <strong>ESG reporting</strong>, carbon offset strategies, or internal sustainability benchmarks.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>You get beautiful furniture - and <strong>verifiable proof</strong> that it came from responsible decisions.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"/>\n<!-- /wp:separator -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 class=\"wp-block-heading\"><strong>Crafted for Today. Built for Tomorrow.</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Our Waste to Collection products are manufactured in Denmark, built to contract-grade durability, and designed to evolve - from single café chairs to entire custom interiors. Every collaboration, every table, every reused plank is part of a wider mission: to build the next generation of design not from raw extraction, but from <strong>what’s already here</strong>.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>With each collection, we redefine what luxury means in a world that can no longer afford waste. We believe true design innovation doesn’t demand new materials - just new mindsets.</p>\n<!-- /wp:paragraph -->', 'From Waste to Collection', '', 'inherit', 'closed', 'closed', '', '1082-revision-v1', '', '', '2025-06-13 18:49:59', '2025-06-13 18:49:59', '', 1082, 'https://preowned.pixelpay-staging.com/?p=1618', 0, 'revision', '', 0),
(1620, 1, '2025-06-13 18:57:29', '2025-06-13 18:57:29', '<!-- wp:paragraph -->\n<p><strong>Why replace when you can restore — beautifully, sustainably, and intelligently.</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Every office chair, boardroom bench, or lounge seat tells a story. But over time, even the best furniture begins to fade. At Design Preowned, we believe those signs of use are not an ending - they’re an invitation.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Our <strong>Business Furniture Restoration</strong> service gives companies the opportunity to extend the lifespan of their existing furniture, avoid unnecessary procurement, and strengthen their ESG commitments — all while enhancing interior aesthetics and functionality.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"/>\n<!-- /wp:separator -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 class=\"wp-block-heading\"><strong>Turn Worn Into Wow</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Workspaces are evolving. So should the furniture inside them.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Whether your chairs feel outdated, upholstery is worn down, or materials have simply lost their charm, we offer a way to breathe new life into your existing assets. No landfill. No compromise. Just skilled, circular craftsmanship that’s <strong>tailored to your needs</strong>.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>From offices and meeting rooms to restaurants, hotels and cultural spaces, we restore a wide range of furniture types — including custom and legacy pieces - to look, feel, and perform like new.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"/>\n<!-- /wp:separator -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 class=\"wp-block-heading\"><strong>We Handle It All - Seamlessly</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>We understand that downtime and logistics are often barriers to sustainable decisions. That’s why our restoration offering is designed as a <strong>full-service solution</strong>.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Here’s how it works:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li><strong>We pick up</strong> your furniture directly from your location - whether it\'s 5 pieces or 500.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li><strong>Transport</strong> is done using low-emission vehicles to our restoration facility.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li><strong>Evaluation and custom planning</strong> follow: we assess each piece and recommend specific upgrades.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li><strong>The restoration begins</strong> - new padding, updated upholstery, woodwork repair, oiling, refinishing, and more.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li><strong>We deliver</strong> your furniture back, beautifully restored, ready for its second life in your space.</li>\n<!-- /wp:list-item --></ul>\n<!-- /wp:list -->\n\n<!-- wp:paragraph -->\n<p>Throughout the process, we offer flexible options, timelines, and materials that suit your brand’s interior and sustainability profile.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"/>\n<!-- /wp:separator -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 class=\"wp-block-heading\"><strong>Materials That Matter</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Restoration is more than repair. It’s <strong>material reimagination</strong>. We work with a curated selection of sustainable and high-quality materials and from European suppliers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>We also offer <strong>customisation options</strong>, from fabric swatches to frame finishes — allowing your interior to reflect your company identity.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"/>\n<!-- /wp:separator -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 class=\"wp-block-heading\"><strong>Circular Furniture = Circular Reputation</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Choosing restoration isn’t just a design decision - it’s a signal.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>More companies are aligning their interiors with their <strong>ESG strategies</strong>, and furniture is a meaningful, visible place to start. By restoring instead of replacing, you reduce waste, emissions, and raw material use. But even more, you show that your organisation acts on its values.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>We document the process from start to finish and provide <strong>custom ESG reports</strong> for internal use or public transparency. Your employees, clients, and stakeholders will know exactly how your choices made a difference - in CO₂ saved, waste avoided, and impact created.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"/>\n<!-- /wp:separator -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 class=\"wp-block-heading\"><strong>Made to Last Again - and Again</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Every piece that passes through our hands is restored not just for aesthetics, but for longevity.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Our approach respects the original design, but brings it forward with modern materials, comfort, and compliance.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>And if the piece has emotional, historic or cultural value? All the more reason to preserve it — without sending it to storage or landfill.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"/>\n<!-- /wp:separator -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 class=\"wp-block-heading\"><strong>Let’s Extend the Life of Good Design</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>If you’re considering a workplace redesign, expanding your space, or simply refreshing interiors — start with what you already have. 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(1623, 1, '2025-06-13 19:06:23', '2025-06-13 19:06:23', '<!-- wp:paragraph -->\n<p><strong>Where timeless design meets circular craftsmanship</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At Design Preowned, we believe great design should endure - not just through trends, but across generations. Our Recrafted Furniture line gives original wooden furniture a second life, restored and reimagined to meet the needs of today without losing the soul of the past.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Across Scandinavia, we source forgotten pieces - mid-century chairs with clean lines, sturdy wood frames hidden in warehouses, and beautifully proportioned seating with no famous name but unmistakable integrity. We don’t collect based on status. We select based on structure, story, and potential.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Once selected, each item begins a thorough transformation. It is carefully disassembled, cleaned with biodegradable materials, and evaluated for repairs. Loose joints are strengthened. Worn parts are restored or replaced. Surfaces are sanded and treated by hand with low-impact oils to preserve the grain and patina. Where needed, we reproduce lost details with accuracy and care.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Every material is chosen with purpose. We work with surplus and second-sort leather from trusted Danish tanneries, natural wool and recycled textiles, coconut fibre padding, and hardware sourced for longevity. No toxic fillers. No greenwashing. Just responsible choices that respect the material and the environment.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Our upholstery options are tailored to each piece and project. Whether for a hospitality setting, public space, or design-driven workplace, we collaborate with clients to find finishes that complement their interior goals - without compromising on comfort, ethics, or aesthetics.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>No two Recrafted pieces are alike. Yet all share a commitment to quality, circularity, and design relevance. These are not showroom replicas - they are original pieces with fresh purpose. By restoring what already exists, we preserve design value while significantly reducing emissions, material waste, and procurement costs.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Recrafted Furniture is especially suited for architects, interior designers, and conscious businesses who seek meaningful interiors. For them, sustainability is more than a policy - it\'s reflected in every choice, including what they furnish with. A restored chair carries a different energy. It’s felt in the craftsmanship, the materials, and the transparency behind it.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Each item we restore is digitally traceable. Powered by PixelPai technology, every product receives a unique ID and scannable QR code. This allows clients and end-users to view the full journey of the piece - from sourcing and materials to the specific steps in its renewal. This data supports ESG documentation and adds accountability to sustainability claims.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>We don’t aim to replicate mass-market furniture. Instead, we create small-batch or one-of-a-kind pieces that carry character, longevity, and a story. Our restoration teams combine traditional woodworking and upholstery techniques with modern low-impact practices to create pieces that perform beautifully in modern environments.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>To us, restoration is not just about repair. It’s a form of respect. For the resources already used. For the design that still holds value. And for the future, which depends on how we choose to make and use things today.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The Recrafted line is not a trend or a marketing angle. It’s a belief in a better way of doing things - and proof that good design doesn’t have to start from scratch. Often, it’s already here - it just needs to be seen, repaired, and returned to life.</p>\n<!-- /wp:paragraph -->', 'Recrafted Furniture', '', 'inherit', 'closed', 'closed', '', '1078-revision-v1', '', '', '2025-06-13 19:06:23', '2025-06-13 19:06:23', '', 1078, 'https://preowned.pixelpay-staging.com/?p=1623', 0, 'revision', '', 0),
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(1630, 1, '2025-06-13 19:13:15', '2025-06-13 19:13:15', '<!-- wp:heading -->\n<h2 class=\"wp-block-heading\"><strong>Behind the Designer: Navarro Argudo</strong></h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Bold yet restrained, sculptural yet deeply functional - the work of <strong>Navarro Argudo</strong> embodies the essence of <strong>Mediterranean modernism</strong>. Active during the mid-20th century in Spain, Argudo carved out a distinct voice within the broader European design movement by embracing natural materials, architectural lines, and a warmth that feels both grounded and contemporary. While less internationally known than his Northern European counterparts, Argudo’s work stands proudly alongside them - defined by its <strong>craftsmanship, proportion, and integrity</strong>.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Based in Valencia, a region long associated with artisanal woodworking and furniture production, <strong>Navarro Argudo</strong> worked primarily during the 1950s through 1970s - a period of significant cultural and material transition in Spain. As international modernism began influencing design across the Iberian Peninsula, Argudo responded with a language that was clean, rational, and deeply connected to his environment. His preferred materials — solid oak, walnut, and beech - were treated not just as structural components, but as <strong>aesthetic statements in themselves</strong>.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Argudo’s signature pieces are most often found in the form of <strong>dining chairs, sideboards, and tables</strong>, all marked by <strong>distinct joinery, subtle carving, and strong geometries</strong>. His chairs are known for their balanced profiles - often incorporating curved backrests, sculpted seats, and tapered legs. Unlike some of his minimalist contemporaries, Argudo welcomed tactility and detail: you’ll find visible tenons, hand-finished edges, and grain-oriented layouts that elevate the furniture beyond the functional.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>One of his most recognizable forms is the <strong>Argudo Ladder-Back Chair</strong>, a piece that channels both traditional Iberian craftsmanship and modernist restraint. The slatted backrest is gently curved for comfort, while the frame is typically constructed from solid oak with expertly executed mortise joints. It’s a piece that feels as at home in a rural finca as it does in a modern architectural interior - proof of its design versatility and timeless appeal.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>What defines Argudo’s work is not only its form, but its <strong>durability and clarity</strong>. He designed furniture to be used, not simply admired. His work was often produced in small series or by regional workshops, making original pieces rare but highly collectible today. While he may not have achieved widespread international fame during his lifetime, his influence continues to ripple through contemporary Spanish interiors and restoration studios across Europe.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At <strong>Design Preowned</strong>, we see <strong>Navarro Argudo</strong> as part of a broader design heritage that deserves recognition - a voice from the South that complements the Nordic and Central European traditions with its own warmth and structural poetry. His pieces offer a richness that rewards restoration: <strong>strong woods, timeworn finishes, and construction methods meant to last</strong>.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>We’ve restored several original Argudo pieces, particularly his dining chairs and sideboards. These projects allow us to work intimately with the wood - often oak darkened beautifully by time - and return the piece to its original tactile and visual balance. Whether we’re sanding down a weathered armrest or replacing the woven seat with hand-done rush or linen, the process is one of <strong>continuation, not correction</strong>.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Argudo’s work also fits naturally into today’s interiors. As designers and homeowners move toward <strong>textured materials, handcrafted objects, and soulful minimalism</strong>, his furniture becomes more relevant than ever. There’s no spectacle here - just clarity, honesty, and the kind of design that gets better with time.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>For Edward Gubi and the team at Design Preowned, Navarro Argudo represents a story worth telling and preserving - not just because of the forms he created, but because of <strong>the values embedded within them</strong>: restraint, quality, and deep respect for materials. In restoring his work, we’re not only saving objects - we’re <strong>keeping alive a Mediterranean design tradition that is as enduring as it is underappreciated</strong>.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Argudo may have worked quietly, but his pieces speak volumes. And we’re proud to help them continue to do so - one careful restoration at a time.</p>\n<!-- /wp:paragraph -->', 'Navarro Argudo', '', 'publish', 'closed', 'closed', '', 'navarro-argudo', '', '', '2025-06-13 22:51:49', '2025-06-13 22:51:49', '', 0, 'https://preowned.pixelpay-staging.com/?post_type=designer&#038;p=1630', 0, 'designer', '', 0),
(1631, 1, '2025-06-13 19:13:48', '2025-06-13 19:13:48', '<!-- wp:heading -->\n<h2 class=\"wp-block-heading\"><strong>Behind the Designer: Findahls Møbelfabrik</strong></h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>In the world of Danish modernism, designers often take the spotlight - but behind many of the most enduring mid-century pieces stands a group of skilled, often family-run workshops that quietly shaped design history. <strong>Findahls Møbelfabrik</strong> is one of those workshops. Based in Sønderup, Denmark, this furniture manufacturer became a trusted name throughout the 20th century for its <strong>exceptional craftsmanship, honest materials, and long-standing collaborations with some of Denmark’s most respected designers.</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Founded in the early 1940s, Findahls Møbelfabrik started as a small-scale operation focused on chairs, stools, and practical seating solutions. What set them apart was their <strong>deep understanding of wood as a living material</strong> - especially beech, oak, and teak - and their unwavering commitment to structural integrity. Over time, this approach earned them partnerships with prominent designers and a growing reputation for <strong>precise joinery, comfortable ergonomics, and modest but beautiful silhouettes</strong>.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>While Findahls never marketed itself as a design house, it became the backbone for a number of quietly iconic pieces, producing <strong>functional, elegant furniture meant for everyday use</strong>. Their chairs, in particular, became staples in both public and private Danish interiors - from dining rooms and offices to schools, town halls, and churches.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stylistically, Findahls furniture leans into the <strong>core values of Danish modernism</strong>: form follows function, no detail without purpose, and a deep respect for craft. Their pieces often feature <strong>subtle sculptural touches</strong> - a slightly curved backrest, a tapered leg, a mortise joint left visible - the kind of details that reward those who look closely. These were not statement pieces, but <strong>quiet workhorses</strong> - beautifully made and meant to last.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>One of the manufacturer’s signature contributions is their continued production of classic <strong>Wegner-style dining chairs</strong>, many of which draw from the Shaker and J.L. Møller traditions. They also became known for their solid wood benches, stools, and bar seating - pieces that emphasized simplicity, stackability, and comfort without compromising on aesthetics.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Today, Findahls Møbelfabrik continues to operate - a rare example of continuity in an industry often dominated by consolidation and outsourcing. While the company now produces updated models and works with contemporary designers, their legacy is most vividly felt in their <strong>mid-century originals</strong>, which have found new life through vintage markets and restoration studios around the world.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At <strong>Design Preowned</strong>, Findahls is a name we hold in high regard. Their furniture is ideal for restoration - not just because of its enduring materials, but because of its <strong>clarity of construction</strong>. The way a Findahls chair is joined, balanced, and proportioned makes it a pleasure to work with. We’ve restored a number of their pieces - from classic spindle-back dining chairs to compact benches - and in each case, the process feels like collaborating across time with an original maker who understood both design and durability.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Our work focuses on <strong>respectful preservation</strong>: re-tightening joints, hand-sanding and oiling the wood, and refreshing seats with woven cord or natural fabrics. We don’t believe in over-restoring Findahls furniture - we believe in letting the material tell its story. The dents, the patina, the wear - it all adds to the sense of continuity.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>For Edward Gubi and the Design Preowned team, Findahls Møbelfabrik represents what Danish design is all about: <strong>function-first furniture elevated by craft and care</strong>. Their work may not always carry a famous signature, but it carries a legacy - one of quiet excellence, everyday beauty, and the kind of design that only gets better with time.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In an era of fast production and visual excess, the simplicity and clarity of Findahls pieces offer a counterpoint - proof that <strong>good design doesn’t have to shout. It just has to work - beautifully, and for decades</strong>.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At Design Preowned, we’re proud to restore and rehome their pieces - not only because they’re well made, but because they carry the spirit of real design heritage. Furniture like this isn’t made to be replaced. It’s made to be used, repaired, and <strong>passed on</strong>.</p>\n<!-- /wp:paragraph -->', 'Findahls Møbelfabrik', '', 'publish', 'closed', 'closed', '', 'findahls-mobelfabrik', '', '', '2025-06-13 22:50:27', '2025-06-13 22:50:27', '', 0, 'https://preowned.pixelpay-staging.com/?post_type=designer&#038;p=1631', 0, 'designer', '', 0),
(1632, 1, '2025-06-13 19:14:06', '2025-06-13 19:14:06', '<!-- wp:heading -->\n<h2 class=\"wp-block-heading\"><strong>Behind the Designer: Henning Kjærnulf</strong></h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Few designers managed to walk the line between tradition and modernity as masterfully as <strong>Henning Kjærnulf</strong>. Working primarily in mid-20th-century Denmark, Kjærnulf created furniture that stood apart from the stark minimalism of his contemporaries - embracing <strong>ornament, craftsmanship, and sculptural form</strong> without ever losing sight of function. His work feels grounded in history, yet surprisingly fresh - an elegant reminder that modernism can be expressive, not just reductive.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Born in Denmark in 1928, Henning Kjærnulf came of age in the golden era of Danish design, but his creative instincts led him in a different direction than the more reserved aesthetics of Børge Mogensen or Arne Jacobsen. Trained as a cabinetmaker, Kjærnulf deeply understood material and joinery - but where others stripped design down, he leaned into the <strong>bold, the carved, and the richly detailed</strong>. His furniture carries echoes of Baroque and Renaissance forms, reinterpreted through a clean Danish lens.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Perhaps his most iconic works are the <strong>razorblade dining chairs</strong> - named for their sharply carved backrests that resemble the edge of a blade. These chairs are both graphic and graceful, with a strong silhouette that feels almost architectural. Paired with solid oak or teak dining tables, they bring a level of texture and character rarely seen in the clean lines of mid-century Scandinavian design.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>But Kjærnulf was no mere revivalist. His ability to balance heavy forms with lightness - both visually and structurally - reveals a deep sensitivity to proportion and environment. His <strong>tables, cabinets, and high-back armchairs</strong> are robust, yet never bulky. His use of carving is always intentional, never excessive. And his pieces were often produced in richly grained Danish oak or pine, giving them a tactile presence that rewards close inspection.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kjærnulf’s work was manufactured by a range of Danish cabinetmakers throughout the 1960s and 70s, including Nyrup Møbelfabrik and EG Kvalitetsmøbler. While never a celebrity designer in his lifetime, his work has endured - and is now being rediscovered by collectors and designers looking for pieces with both historical gravitas and sculptural impact.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Today, Kjærnulf’s furniture feels remarkably current. As interiors shift away from total minimalism and toward a <strong>warmer, more expressive material language</strong>, his carved wood pieces fit seamlessly into contemporary homes. They add character, depth, and a sense of story - a tactile link to both craft and culture.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At <strong>Design Preowned</strong>, Henning Kjærnulf’s work is especially meaningful. His furniture exemplifies the kind of heirloom-quality design that benefits profoundly from restoration. Many of his pieces arrive at our workshop with decades of wear - aged oak softened by use, joints loosened with time, surfaces dulled by light. But under all of that is structure, intention, and soul. With care, we bring that soul forward again.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Our restoration of Kjærnulf’s designs focuses on honoring his original craftsmanship: <strong>re-oiling the grain to bring back contrast, reinforcing joinery without altering the silhouette, and preserving carved details with minimal intervention</strong>. We aim not to erase time, but to refine it - allowing each piece to continue its life with renewed purpose.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>For Edward Gubi and the team at Design Preowned, Kjærnulf’s work serves as a powerful reminder that great design is not always the most famous - sometimes, it’s the most distinctive. In a world of flat-pack predictability, his chairs, tables, and cabinets bring back the feeling of human touch, of carved intention, of time made tangible.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Henning Kjærnulf’s pieces are not just functional - they are expressive forms of <strong>applied sculpture</strong>, built for use but never at the expense of personality. They remind us that modernism didn’t have to be minimal - it could be <strong>majestic</strong> too.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>And at Design Preowned, we’re proud to carry that majesty forward - restoring it, recontextualizing it, and placing it back where it belongs: <strong>in real spaces, with real people, for generations to come</strong>.</p>\n<!-- /wp:paragraph -->', 'Henning Kjærnulf', '', 'publish', 'closed', 'closed', '', 'henning-kjaernulf', '', '', '2025-06-13 22:47:56', '2025-06-13 22:47:56', '', 0, 'https://preowned.pixelpay-staging.com/?post_type=designer&#038;p=1632', 0, 'designer', '', 0),
(1634, 1, '2025-06-13 19:15:07', '2025-06-13 19:15:07', '<!-- wp:heading -->\n<h2 class=\"wp-block-heading\"><strong>Behind the Designer: Vagn Fulgsang</strong></h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>In the Danish modernist canon, <strong>Vagn Fulgsang</strong> is one of those quietly influential figures whose work doesn’t scream for attention - it invites close inspection. Rooted in <strong>precision, craft, and restraint</strong>, Fulgsang’s furniture exemplifies the kind of enduring design that grows more meaningful with age. His pieces are deeply functional, materially honest, and structurally elegant - making them ideal for restoration and continued life within contemporary interiors.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Active primarily in the 1960s and 70s, Vagn Fulgsang worked in close dialogue with the values of the Danish furniture movement: democratic design, quality over quantity, and a reverence for wood as both a medium and a message. Like his contemporaries Børge Mogensen and Hans Wegner, Fulgsang was trained in the Danish cabinetmaking tradition, which favored <strong>strong joinery, refined minimalism, and a human-centered approach to form</strong>.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>What sets Fulgsang apart is his unique attention to <strong>architectural proportion</strong> and his frequent use of <strong>contrasting material textures</strong>. His chairs and tables often paired sculptural wood frames - typically in oak or teak - with seats in woven paper cord, canvas, or leather. The forms are geometric but never cold; the lines are clean, yet tactile. Every element is there for a reason, contributing to a larger sense of harmony and visual calm.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>One of Fulgsang’s most admired pieces is the <strong>Model 452 Armchair</strong>, designed in the late 1960s. Featuring a broad, flat armrest, low back, and tensioned seat in natural leather, the chair is emblematic of his approach: <strong>subtle sculptural gestures grounded in everyday usability</strong>. Another standout is his series of low-profile sideboards and cabinets, which balance thin framing with solid construction and precisely aligned drawer fronts - a study in Scandinavian symmetry.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unlike some of his peers who moved into mass production, Fulgsang worked with <strong>smaller ateliers and regional manufacturers</strong>, producing in limited quantities. This has made his pieces more elusive - but also more special. His designs were never overexposed or overinterpreted. They remained rooted in <strong>personal scale, craft ethics, and practical elegance</strong>.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Today, Fulgsang’s work is increasingly appreciated by collectors and design historians who are re-evaluating the second and third waves of Danish modernism. His furniture feels timeless not because it followed a trend, but because it <strong>resisted ornament and embraced purpose</strong>. In contemporary interiors, his pieces blend seamlessly with both vintage and modern aesthetics - embodying the best of Danish design’s adaptability and humility.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At <strong>Design Preowned</strong>, Vagn Fulgsang’s work is a natural fit. His pieces are built with restoration in mind - solid frames, reversible upholstery systems, and finishes that welcome new life rather than resist it. We’ve restored a number of his chairs and storage pieces, and the process is always an exercise in respect. The joinery is intelligent, the proportions forgiving, and the patina often stunning.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rather than attempting to modernize or alter Fulgsang’s work, we focus on <strong>revealing the integrity already present</strong> - re-oiling wood, repairing timeworn connections, and replacing materials only when absolutely necessary. For us, restoration is an act of continuation, not reinvention.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Fulgsang’s work also resonates on a conceptual level. In a market oversaturated with visual excess and fast design, his furniture represents a kind of quiet protest - a reminder that <strong>less can be more when less is made with care</strong>. His legacy isn’t about mass influence. It’s about depth. Detail. Craft. And that’s exactly the kind of value we seek to preserve and promote at Design Preowned.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>For Edward Gubi and the team, Fulgsang is a kind of north star - not in scale, but in spirit. He reminds us that great design often happens outside the spotlight, and that <strong>the most meaningful furniture is often the most modest</strong>.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>As we continue to source and restore Fulgsang’s work, we see in each piece a future-ready relevance - design that speaks softly, lasts long, and lives well.</p>\n<!-- /wp:paragraph -->', 'Vagn Fulgsang', '', 'publish', 'closed', 'closed', '', 'vagn-fulgsang', '', '', '2025-06-13 22:45:17', '2025-06-13 22:45:17', '', 0, 'https://preowned.pixelpay-staging.com/?post_type=designer&#038;p=1634', 0, 'designer', '', 0);
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(1635, 1, '2025-06-13 19:15:30', '2025-06-13 19:15:30', '<!-- wp:heading -->\n<h2 class=\"wp-block-heading\"><strong>Behind the Designer: Effezeta</strong></h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>In the rich tapestry of post-war Italian design, <strong>Effezeta</strong> occupies a unique position - a brand that seamlessly blended <strong>industrial innovation with sculptural softness</strong>, producing furniture that was bold, practical, and unmistakably of its time. Known for its modular seating systems, curved lines, and tactile materials, Effezeta helped define the relaxed elegance of Italian interiors in the 1970s and 80s. And while it operated largely outside the design celebrity circuit, its pieces continue to resonate - prized by collectors, stylists, and architects looking for furniture with both form and feeling.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Founded in Italy in the late 1960s, <strong>Effezeta (also known as FZ Mobili)</strong> emerged at a moment when Italian furniture was undergoing a dramatic shift. The post-war boom had given rise to a new middle class, and with it came a demand for comfort-driven, affordable, and flexible home furnishings. Effezeta responded with a series of <strong>sofas, armchairs, and modular lounge systems</strong> that were generous in scale, intuitive in use, and often deeply architectural in form.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The brand\'s design language favored <strong>rounded corners, low profiles, and upholstered bodies</strong> that seemed to grow organically from the ground. Effezeta’s pieces embraced softness - both visually and physically - using deep foam padding, velvet, corduroy, and boucle fabrics in earthy tones or rich, optimistic colors. In a time when design was often seen as rigid or high-concept, Effezeta’s furniture offered an invitation: <strong>sit, sprawl, stay awhile.</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Among its most iconic offerings are the <strong>modular sectional sofas</strong> from the 1970s and 80s - sculptural yet approachable, often featuring built-in end tables, lounge extensions, or conversation pits. These pieces reflect a broader cultural movement toward <strong>conviviality and comfort</strong> - design that responds to how people actually live, gather, and relax. While Effezeta may not have attached individual designers\' names to their products, the vision was unmistakably contemporary: democratized design with strong visual presence.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>What sets Effezeta apart from many of its peers is how <strong>well its designs have aged</strong>. In a world where many mass-market pieces from the same era feel dated or overstyled, Effezeta’s work remains <strong>surprisingly current</strong> - thanks to its proportional intelligence, minimal ornamentation, and focus on comfort. Their furniture is often described as “Italian brutalism softened by leisure” - structured, but never severe.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At <strong>Design Preowned</strong>, we see Effezeta as part of the hidden canon - brands that may have flown under the radar of design museums, but whose work continues to resonate deeply in real-world interiors. Their sofas and chairs, in particular, are <strong>built for restoration</strong>: solid internal frames, easy-to-disassemble modules, and upholstery designed to be updated as tastes evolve. We’ve restored several original Effezeta modular units - reupholstering in new natural fabrics, refoaming for comfort, and reinforcing the understructures without altering the silhouettes.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The process is always rewarding. These are <strong>timeless shapes</strong>, and with the right restoration, they feel as fresh and relevant as the day they were designed. Whether placed in a modern loft, a creative office, or a residential lounge, Effezeta furniture adds a sense of relaxed sophistication - design that lives well and lasts longer.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>For Edward Gubi and the team at Design Preowned, Effezeta represents a perfect example of how <strong>vintage design can move forward</strong>, not backward. It’s not about nostalgia - it’s about rediscovering overlooked value, reimagining it through restoration, and reintroducing it to a new generation of conscious collectors.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>As the market shifts toward soft forms, vintage modularity, and expressive comfort, Effezeta is finally receiving the attention it deserves. And we’re proud to be part of that rediscovery - bringing these pieces back to life, one restoration at a time.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Because true design doesn’t expire. It evolves. And Effezeta’s story is far from over.</p>\n<!-- /wp:paragraph -->', 'Effezeta', '', 'publish', 'closed', 'closed', '', 'effezeta', '', '', '2025-06-13 22:42:37', '2025-06-13 22:42:37', '', 0, 'https://preowned.pixelpay-staging.com/?post_type=designer&#038;p=1635', 0, 'designer', '', 0),
(1636, 1, '2025-06-13 19:15:41', '2025-06-13 19:15:41', '<!-- wp:heading -->\n<h2 class=\"wp-block-heading\"><strong>Behind the Designer: Rainer Daumiller</strong></h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Few designers have embodied the connection between <strong>nature, material, and modernism</strong> as holistically as <strong>Rainer Daumiller</strong>. Best known for his sculptural, solid pine dining chairs and tables of the 1970s, Daumiller’s work stands apart for its <strong>organic presence, ergonomic sensibility, and unapologetic embrace of natural wood</strong>. His furniture is not just visually warm - it’s physically grounding, inviting touch, use, and longevity.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Born in Germany in 1939, Rainer Daumiller was influenced early on by both Scandinavian and Alpine traditions of furniture-making. After training in carpentry and design, he moved to Denmark - a natural home for his evolving aesthetic - and began a decades-long collaboration with the manufacturer <strong>Hirtshals Sawmill</strong>. It was here that he would develop the pieces that define his legacy: <strong>dining chairs and tables carved from solid pine</strong>, shaped with soft curves, and designed to feel like they grew - rather than were built - into their forms.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daumiller’s most iconic design is undoubtedly the <strong>Daumiller Chair</strong>, produced in the 1970s and now widely considered a classic of European eco-modernism. With its <strong>rounded, sculptural armrests</strong>, thick circular seat, and tall backrest, the chair evokes a primitive form - yet feels entirely modern in its construction and comfort. The ergonomics are deceptively refined, and the simplicity of the joinery allows the natural grain of the wood to become a central visual element.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>What sets Daumiller’s work apart is the integrity of its <strong>material logic</strong>. He believed in letting pine - a fast-growing, often-overlooked softwood - express its character. The knots, grain patterns, and occasional imperfections are not masked but celebrated. This makes each piece unique, rich in tone and texture, and beautifully aged over time. His designs were also ecologically prescient: locally sourced wood, minimal processing, and a focus on <strong>furniture that could last generations</strong> rather than seasons.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>His tables and chairs were built to be <strong>functional, durable, and intuitive</strong>, ideal for homes that valued simple beauty over display. And while Daumiller never positioned himself as a radical, his commitment to honest materials and longevity placed him at the <strong>vanguard of sustainable design</strong> - long before it became a trend.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Today, his furniture is experiencing a quiet resurgence among collectors and designers seeking <strong>natural materials, earthy textures, and the kind of comfort that only timeworn pine can deliver</strong>. In both contemporary Nordic interiors and warmer organic-modern spaces, Daumiller’s pieces bring a unique calm - tactile, grounded, and human.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At <strong>Design Preowned</strong>, Rainer Daumiller’s work perfectly captures the values we champion. His chairs and tables are built for restoration: <strong>solid wood, time-honored joinery, and no synthetic veneers</strong> to conceal or compromise. We’ve restored numerous original Daumiller dining sets, and in every case, the work feels more like <strong>cooperation than intervention</strong>. Sanding, oiling, and resealing reveal what’s already there - form shaped by nature and human hands in equal measure.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Working on his pieces is also an act of storytelling. Each knot and grain swirl speaks to a specific tree, a specific place - reminding us that furniture can carry the memory of a forest. That it can be elegant without polish, refined without pretense.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>For Edward Gubi and the Design Preowned team, Daumiller’s legacy is more relevant than ever. In a world of MDF and fast interiors, his work is a <strong>model of circular design in its purest form</strong>: low-waste, high-integrity, and made to age. He shows us that sustainability isn’t always about new materials or technology - sometimes, it’s about knowing when to <strong>let the wood speak</strong>.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>As more people look to reconnect with natural textures, ethical sourcing, and emotional durability in the objects they live with, Rainer Daumiller’s work continues to offer a kind of design antidote: <strong>simple, strong, and slow</strong>. Built not for display, but for life.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At Design Preowned, we’re proud to bring his pieces back into circulation - to restore them, respect them, and return them to spaces where they can continue to live. Because great furniture isn’t meant to be replaced. It’s meant to <strong>weather, evolve, and stay</strong>.</p>\n<!-- /wp:paragraph -->', 'Rainer Daumiller', '', 'publish', 'closed', 'closed', '', 'rainer-daumiller', '', '', '2025-06-13 22:39:46', '2025-06-13 22:39:46', '', 0, 'https://preowned.pixelpay-staging.com/?post_type=designer&#038;p=1636', 0, 'designer', '', 0),
(1637, 1, '2025-06-13 19:16:16', '2025-06-13 19:16:16', '<!-- wp:heading -->\n<h2 class=\"wp-block-heading\"><strong>Behind the Designer: Sergio Rodrigues</strong></h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>To speak of <strong>Brazilian modernism</strong> is to speak of <strong>Sergio Rodrigues</strong> - a designer who didn’t just interpret modernist ideals through a local lens, but expanded them with warmth, humor, and an unmistakably Brazilian soul. A pioneer of 20th-century design in South America, Rodrigues gave voice to a new aesthetic rooted in native woods, sculptural form, and informal comfort. His furniture, much like the man himself, was open, inviting, and built to last.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Born in Rio de Janeiro in 1927, Sergio Rodrigues studied architecture before turning fully to furniture design - not as a decorative art, but as an extension of space and culture. In the 1950s, he co-founded <strong>OCA</strong>, a design studio and gallery that played a crucial role in shaping Brazil’s modernist movement. While European modernists were focused on purity and reduction, Rodrigues brought <strong>material richness and emotional warmth</strong> to the equation - proving that modernism could be expressive, local, and full of life.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rodrigues worked primarily in <strong>solid Brazilian hardwoods</strong> - especially jacaranda and peroba - pairing them with <strong>leather, rattan, and caning</strong> in combinations that felt both robust and sensual. His furniture often had a relaxed, lounge-forward posture, reflecting the informality of Brazilian social life and the architectural openness of mid-century Brazilian homes. He wasn’t trying to replicate Bauhaus ideals - he was rewriting them for the tropics.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>His most iconic work is undoubtedly the <strong>Mole Armchair</strong> (1957) - a low-slung, oversized lounge chair with a muscular wooden frame, tied leather support straps, and deeply cushioned upholstery that practically demands you sink into it. \"Mole\" means “soft” in Portuguese, and the chair redefined comfort in modern furniture. When it won first prize at the 1961 international design competition in Italy, it introduced Rodrigues - and Brazil - to the global stage.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>But Rodrigues was far more than a one-icon designer. His <strong>Oscar chairs</strong>, <strong>Tonico series</strong>, and <strong>Sheriff lounge chairs</strong> are all considered touchstones of Brazilian modernism. They share the same DNA: bold lines, open structures, and an unapologetic embrace of tactile materials. His use of wood was architectural - beams, wedges, and pegs treated not as hidden supports, but as expressive elements. Form followed function, but joy followed both.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rodrigues was also deeply engaged in <strong>mass production</strong> and public design. He believed that great furniture should be accessible, not elite. Throughout the 1960s and 70s, he designed chairs for government buildings, embassies, and civic institutions across Brazil - functional pieces, but always with that unmistakable Rodrigues personality. His designs never lost their sense of place.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Today, Sergio Rodrigues is recognized not only as the father of Brazilian modernism, but as a master craftsman whose work transcends borders. His furniture is now collected by leading museums, architects, and design purists worldwide - not because it fits into a style, but because it stands apart. It invites comfort. It wears beautifully. It <strong>lives</strong>.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At <strong>Design Preowned</strong>, Rodrigues’s work holds a particular significance. His approach - celebrating material honesty, designing for longevity, and embracing cultural identity - mirrors everything we believe furniture should be. His pieces were made to be touched, repaired, and passed down. They reward use, not just admiration.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>We’ve restored several original Rodrigues pieces - often working with aged leather, sun-drenched jacaranda, and loosened support straps. The process is always respectful, guided by his original construction methods and intuitive design logic. Restoration becomes a dialogue - not just between craftspeople, but between cultures and generations.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rodrigues once said, <em>“My furniture is Brazilian not only because I was born in Rio, but because it has the spirit, the humor, and the casual way of being of the Brazilian people.”</em> That spirit is what makes his work feel so alive — and so important to preserve.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>For Edward Gubi and the Design Preowned team, Sergio Rodrigues represents a <strong>global modernism</strong> that wasn’t rooted in sameness, but in authenticity. His work reminds us that the future of furniture isn’t about minimalism or maximalism - it’s about meaning. Craft. Place. Purpose.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In a world increasingly focused on digital speed and artificial materials, Sergio Rodrigues offers something more grounded - a reminder that furniture, at its best, is a part of life. Not just a backdrop to it.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At Design Preowned, we’re proud to bring his pieces back to life - honoring not just the form, but the philosophy behind them. Because in every Mole chair, every curve of wood, every stretched leather strap, there’s something worth keeping. Something worth restoring. Something timeless.</p>\n<!-- /wp:paragraph -->', 'Sergio Rodrigues', '', 'publish', 'closed', 'closed', '', 'sergio-rodrigues', '', '', '2025-06-13 22:56:06', '2025-06-13 22:56:06', '', 0, 'https://preowned.pixelpay-staging.com/?post_type=designer&#038;p=1637', 0, 'designer', '', 0),
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(1640, 1, '2025-06-13 19:17:55', '2025-06-13 19:17:55', '<!-- wp:heading -->\n<h2 class=\"wp-block-heading\"><strong>Behind the Designer: Børge Mogensen</strong></h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Few names in Danish furniture design carry the quiet authority of <strong>Børge Mogensen</strong>. A designer of deep conviction and rare clarity, Mogensen helped shape what we now think of as “Danish Modern” - not through flamboyance or trend, but through a lifelong dedication to <strong>function, craftsmanship, and the dignity of everyday living</strong>. His furniture doesn’t demand attention - it earns your trust.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Born in Aalborg in 1914, Mogensen trained as a cabinetmaker before studying furniture design at the Royal Danish Academy of Fine Arts under Kaare Klint, the father of modern Danish design. Klint’s influence was foundational: he taught Mogensen to observe human behavior, to prioritize proportion and utility, and to base every design decision on function - not fashion. These values would become the core of Mogensen’s legacy.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mogensen began his career designing for the <strong>Danish Cooperative Movement</strong>, creating furniture that was affordable, functional, and built to last. His pieces were never conceived as status symbols - they were tools for living, designed for families, public spaces, and everyday use. And yet, over time, they became icons - not because they tried to be, but because their simplicity, quality, and humanity resonated deeply across generations.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>His <strong>Søborg Chair</strong>, <strong>Hunting Chair</strong>, and <strong>Spanish Chair</strong> are now considered classics - each one a study in honest construction, tactile materials, and unadorned elegance. The Spanish Chair, in particular, epitomizes Mogensen’s design ethos: solid oak or walnut paired with thick saddle leather, secured with exposed brass fittings. It’s robust yet refined, traditional yet modern - designed not for the showroom, but for life.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Equally important are his <strong>storage pieces and tables</strong>, often made in oak or beech, with clean lines and practical dimensions. These were not showcase objects; they were solutions. Mogensen famously believed that furniture should “support life” - not distract from it. This philosophy led him to design modular shelving systems, folding tables, and seating with rational geometries - all grounded in the idea that a home should evolve with its inhabitants.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unlike some of his more media-savvy contemporaries, Mogensen was intensely focused on <strong>authenticity over aesthetics</strong>. He didn’t chase international acclaim, though it eventually came. Instead, he worked with long-term partners like Fredericia Furniture to bring his vision to life - ensuring that production standards matched the care and logic of his designs.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Today, Mogensen’s work feels more relevant than ever. As fast design and overproduction crowd the market, his pieces remain an anchor: <strong>practical, adaptable, and built to endure decades of daily use</strong>. They are still being produced - and still in use - in homes, offices, and institutions across the world. Vintage Mogensen pieces are particularly sought-after for their patina and enduring construction, often outlasting newer furniture many times over.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At <strong>Design Preowned</strong>, Mogensen is a pillar - both as a designer and as a guiding philosophy. His pieces are among the most rewarding to restore, not just because of their material quality, but because of the clarity of their design. Every joint, screw, and surface has a purpose. There is no excess. Restoration becomes a process of re-alignment, of listening to the piece and bringing it back to what it was always meant to be: <strong>a functional, beautiful part of daily life</strong>.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>We’ve worked on original Spanish Chairs, Model 3236 tables, and modular shelving units - often restoring not just the wood, but the intention. Whether reconditioning saddle leather, repairing old dovetail joints, or reapplying soap finishes to aged oak, our work honors Mogensen’s belief that furniture should evolve through use, not diminish.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>For Edward Gubi and the team at Design Preowned, Mogensen’s legacy is more than a reference - it’s a compass. His approach to democratic design, human-centered form, and repairable construction aligns perfectly with our mission to keep great design <strong>in circulation and in use</strong>.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In a world driven by constant novelty, Børge Mogensen remains a quiet revolutionary. His furniture reminds us that beauty is not just what you see - it’s what lasts, what works, and what serves. At Design Preowned, we’re proud to restore his work and continue his vision: <strong>design made to support life — thoughtfully, sustainably, and well</strong>.</p>\n<!-- /wp:paragraph -->', 'Børge Mogensen', '', 'publish', 'closed', 'closed', '', 'borge-mogensen', '', '', '2025-06-13 22:55:34', '2025-06-13 22:55:34', '', 0, 'https://preowned.pixelpay-staging.com/?post_type=designer&#038;p=1640', 0, 'designer', '', 0),
(1642, 1, '2025-06-13 19:18:17', '2025-06-13 19:18:17', '<!-- wp:heading -->\n<h2 class=\"wp-block-heading\"><strong>Behind the Designer: Uno &amp; Östen Kristiansson</strong></h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>The story of <strong>Uno &amp; Östen Kristiansson</strong> is one of vision, family, and the subtle power of Scandinavian design when it fuses tradition with innovation. As two of Sweden’s most quietly influential designers of the 20th century, the Kristiansson brothers created a body of work that bridges eras - from handcrafted modernism to early minimalism - without ever losing touch with the warmth and integrity of materials. Their designs, particularly in lighting and mirrors, have become cult classics among collectors and architects alike.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The brothers were born in southern Sweden - Uno in 1925 and Östen in 1927 - into a furniture-making family. In 1950, they took over their father’s company and transformed it into <em>Luxus AB</em>, a design brand that would define their careers. While Uno led much of the creative direction, both brothers contributed to a collaborative design philosophy that focused on clarity of form, honest materials, and designs meant to last.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Their timing was impeccable. Post-war Sweden was embracing modernism, and there was a growing appetite for furniture and lighting that was functional, democratic, and elegant. The Kristianssons answered with pieces that were clean-lined and material-forward - often crafted from solid oak, teak, pine, or hand-blown glass. At a time when many designers were chasing visibility, they focused instead on restraint - letting the objects speak for themselves.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>They became particularly known for their <strong>lighting designs</strong>, many of which were produced under the Luxus label. Their pendant lamps, wall lights, and floor lamps often featured cylindrical opaline glass, turned wood details, and canvas or fiberglass shades. These pieces offered a perfect balance of Scandinavian simplicity and sculptural form - practical, calming, and softly diffused. The <em>Uno &amp; Östen Kristiansson 204 Lamp</em>, with its pine wood slats and frosted glass diffuser, remains one of their most iconic works - emblematic of their ability to blend warmth and minimalism.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Their <strong>furniture designs</strong> followed the same ethos. Simple yet considered, their mirrors with circular frames - particularly the <em>teak hanging mirror with leather strap</em> - have become especially collectible. Produced in the 1950s and 60s, these pieces captured a moment where design met lifestyle: accessible luxury for the modern Swedish home. There was a sense of modest confidence in everything they produced. Their work didn\'t shout for attention - it earned it.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Uno &amp; Östen Kristiansson’s designs weren’t meant for galleries - they were made for everyday use. And yet, their influence grew far beyond Swedish borders. Over the decades, their pieces were quietly exported across Europe and Japan, and today, they’re sought after by a new generation of interior designers, stylists, and collectors who appreciate their timelessness, material integrity, and quiet sophistication.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At <strong>Design Preowned</strong>, the work of Uno &amp; Östen Kristiansson represents exactly what we aim to preserve and restore. Their designs are thoughtful in structure and honest in their construction - making them ideal for restoration without compromise. Whether we’re reconditioning a Luxus pendant lamp or refinishing the frame of a Kristiansson mirror, our goal is always the same: to reveal the original character, not to reinvent it.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>There’s also something particularly resonant about the Kristianssons’ intergenerational story. As a family-led studio that became an enduring part of Sweden’s design heritage, their legacy mirrors the values of Design Preowned - where founder Edward Gubi, part of the third-generation Gubi design family, continues the tradition of stewardship, not just of objects, but of design values. Like the Kristianssons, we believe in the quiet power of restoration - in keeping legacy pieces in circulation and in honoring the ideals behind their original creation.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Their work speaks clearly to today’s moment: a growing cultural shift toward sustainability, longevity, and the emotional power of meaningful design. In a world of mass production and rapid consumption, Uno &amp; Östen Kristiansson offer a different pace. A slower, steadier approach. One that says: <em>what is beautiful should also be built to endure</em>.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>As their work finds new homes and lives in new interiors, we’re proud to continue their story - one lamp, one frame, one piece at a time. Because great design doesn’t age - it evolves.</p>\n<!-- /wp:paragraph -->', 'Uno &amp; Östen Kristiansson', '', 'publish', 'closed', 'closed', '', 'uno-osten-kristiansson', '', '', '2025-06-13 22:33:23', '2025-06-13 22:33:23', '', 0, 'https://preowned.pixelpay-staging.com/?post_type=designer&#038;p=1642', 0, 'designer', '', 0),
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(1646, 1, '2025-06-13 19:19:27', '2025-06-13 19:19:27', '<!-- wp:heading -->\n<h2 class=\"wp-block-heading\"><strong>Behind the Designer: Christian Langeström</strong></h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Christian Langeström occupies a unique place in the Nordic design tradition - a designer who never chased fame, but whose work is steadily gaining recognition for its quiet intelligence and exceptional material presence. Working primarily during the 1970s and 80s in Sweden, Langeström combined architectural thinking with a cabinetmaker’s discipline, producing furniture that is as rigorous as it is tactile. His pieces are rare, often produced in small editions or for specific architectural commissions, and today they stand as quietly powerful examples of Northern restraint.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Born in Uppsala in 1945, Langeström studied both design and architectural drafting before turning to furniture full time. His early work reflected the influence of classic Danish modernists, but his aesthetic quickly took on its own tone - colder, more linear, and stripped of all unnecessary gesture. Rather than follow trends, he focused on deep refinement. His philosophy was grounded in a belief that design should reveal, not conceal - that the structure of a piece should be visible and honest, and that ornament had no place unless it served a purpose.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Langeström worked primarily in solid beech, oak, and ash, with occasional experiments in steel and natural leather. His forms are lean - sometimes almost severe - but always balanced. Tables are wide-legged and generous in span; chairs are built around tension and posture; storage pieces exhibit a near-monastic clarity. His work has often been described as <em>functional brutalism</em> - not in the heavy, concrete-driven architectural sense, but in its raw, structural clarity and reverence for exposed materials.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Among his most notable designs is the <strong>Langeström Armchair</strong>, a rare piece defined by its low, angular stance and floating seat construction. The chair’s leather support straps, left visible beneath the frame, emphasize the idea of <em>function as expression</em>. Similarly, his <strong>Särna Cabinet</strong> - produced in the late 1970s for a series of state library commissions - combines dovetail joinery and adjustable shelving in a minimalist form that still manages to feel warm and purposeful.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Despite his limited production scale, Langeström gained a cult following among architects and academic institutions. His furniture was often found in civic buildings, Nordic churches, and private study rooms - environments where durability, focus, and silence were not just appreciated, but essential. He rejected the commercial spotlight and preferred to work with a few select clients and regional manufacturers, often designing custom one-offs that were signed but never mass-produced.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Today, Christian Langeström’s work is being rediscovered by a new audience - particularly among collectors, gallerists, and designers interested in post-functionalism and the broader story of Nordic craft. His pieces are rare but increasingly sought-after, prized not for flashy details, but for their structure, soul, and stillness. In a world that often celebrates design as statement, Langeström’s work stands out for its confidence in staying quiet.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At <strong>Design Preowned</strong>, Langeström\'s work resonates deeply with our philosophy. His commitment to integrity - both in materials and design - makes restoration feel like a continuation of his process rather than an intervention. We’ve restored several of his original works, and in each case, the restraint of the design allows the materials to shine. Re-oiled oak surfaces, replaced leather straps, or re-fitted joints - these acts of care return the object to what it was always meant to be: functional, enduring, and beautiful in its restraint.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Langeström’s relevance today isn’t just historical - it’s moral. His work reminds us that design doesn’t need to shout to be important. That simplicity, when it’s earned, can be more powerful than spectacle. And that furniture can - and should - serve for a lifetime, not just a season.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>For Edward Gubi and the team at Design Preowned, Christian Langeström embodies the kind of Nordic legacy we strive to preserve: deeply local, globally resonant, and built with purpose. His pieces are not museum pieces - they’re living tools. And through careful restoration and thoughtful storytelling, we aim to ensure that his work continues to be seen, touched, and lived with.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In a world increasingly focused on speed and surface, Christian Langeström’s furniture offers a rare kind of pause - one built not of nostalgia, but of precision, care, and craft. At Design Preowned, we’re proud to keep that pause alive - and to share it with those who value furniture not as fashion, but as something far more permanent.</p>\n<!-- /wp:paragraph -->', 'Christian Langeström', '', 'publish', 'closed', 'closed', '', 'christan-langestrom', '', '', '2025-06-13 22:31:46', '2025-06-13 22:31:46', '', 0, 'https://preowned.pixelpay-staging.com/?post_type=designer&#038;p=1646', 0, 'designer', '', 0),
(1647, 1, '2025-06-13 19:20:02', '2025-06-13 19:20:02', '<!-- wp:heading -->\n<h2 class=\"wp-block-heading\"><strong>Behind the Designer: Sven &amp; Christian Larsson</strong></h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Some legacies are built over time. Others are passed down. In the case of <strong>Sven &amp; Christian Larsson</strong>, both are true. This Swedish father-and-son design duo represents a rare lineage of furniture-making where traditional craft meets quiet innovation - a collaboration defined not by generational contrast, but by shared values. Their work - produced across the second half of the 20th century and into the early 2000s - is a testament to continuity, clarity, and care.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rooted in the forests of Småland, Sven Larsson began his career in the 1950s as a cabinetmaker during the golden age of Scandinavian design. His early work reflected the post-war ideals of durability, simplicity, and democratic access to good design. Working in solid pine, oak, and ash, Sven developed a style that was direct and enduring - furniture that prioritized use over show. His benches, sideboards, and dining chairs were made for everyday life: well-constructed, modestly detailed, and designed to wear in gracefully over decades.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>What distinguished Sven’s work — and would later inform his son’s - was an unwavering belief in the material. He didn’t design to impress, but to serve. His joinery was functional and visible. His surfaces were planed but never polished to disguise the wood’s texture. He subscribed to a kind of rural modernism - influenced by Swedish vernacular furniture as much as by the modernist movement - and that grounding in place and tradition gave his work a lasting emotional resonance.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>By the late 1970s, Christian Larsson had joined his father in the workshop. Rather than break from the past, he absorbed it - learning the physical language of wood from the ground up. Over time, Christian introduced subtler updates: slightly finer proportions, more refined edges, and a growing sensitivity to light and spatial rhythm. Together, Sven and Christian created a body of work that feels remarkably cohesive - rustic but modern, structured but warm. Their collaboration became a kind of unspoken conversation between generations, carried out through chisels, clamps, and grain.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Among their most well-known pieces is the <strong>Larsson Slat Bench</strong>, a minimalist seating design with perfectly spaced solid wood slats and a dovetail-braced frame. Equally at home in a hallway or under a window, it’s a study in precision - as beautiful stripped back and raw as it is oiled and aged. Another notable design is their <strong>Hemma Dining Table</strong>, featuring cylindrical legs and a subtly beveled tabletop. Designed to anchor a space without overpowering it, it reflects the duo’s gift for proportion and tactile presence.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>While the Larssons never courted fame, their furniture quietly spread through Sweden’s homes, schools, and small cultural institutions. Their pieces were often sold through word of mouth or local stockists rather than major design houses. As a result, many of their works flew under the radar internationally - but they endured, precisely because they were built to do so.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Today, Sven &amp; Christian Larsson’s furniture is being rediscovered by a new generation of collectors and interior designers who value authenticity and material clarity. Their designs feel perfectly aligned with the growing movement toward <em>slow design</em> - one that emphasizes quality, sustainability, and emotional durability over trends or mass production.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At <strong>Design Preowned</strong>, we see their work as emblematic of our entire approach to curation and restoration. The Larssons designed furniture to last - structurally and stylistically - and that makes their pieces ideal candidates for restoration. We’ve had the pleasure of bringing several of their benches, stools, and dining chairs back to life, and every project reveals something new: a hidden joint, a forgotten mark, the story of how a material ages.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Because their pieces were built to be repaired, our restoration work feels less like intervention and more like stewardship. Every re-oiled surface, every refitted dowel, every sanded leg becomes a continuation of their original intention. We don’t reinvent their work - we carry it forward.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>For Edward Gubi and the team at Design Preowned, the story of Sven &amp; Christian Larsson holds special significance. Like Edward, they represent a living design lineage - one in which knowledge, care, and values are passed on from one generation to the next. That intergenerational ethos is at the core of everything we do: not just rescuing beautiful objects, but rescuing the philosophies behind them.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In a world dominated by fast production and forgettable objects, the work of Sven &amp; Christian Larsson offers a quiet alternative. It tells us that the best design doesn’t have to shout. It just needs to hold - to support us, to age well, and to tell its story slowly, over time.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At Design Preowned, we’re proud to continue their story. Through restoration, reverence, and reuse, the Larsson legacy - like the furniture itself - lives on.</p>\n<!-- /wp:paragraph -->', 'Sven &amp; Christian Larsson', '', 'publish', 'closed', 'closed', '', 'sven-christian-larsson', '', '', '2025-06-13 22:28:34', '2025-06-13 22:28:34', '', 0, 'https://preowned.pixelpay-staging.com/?post_type=designer&#038;p=1647', 0, 'designer', '', 0),
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(1651, 1, '2025-06-13 19:20:36', '2025-06-13 19:20:36', '<!-- wp:heading -->\n<h2 class=\"wp-block-heading\"><strong>Behind the Designer: Mattias Ingman</strong></h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>In the evolving narrative of Scandinavian design, Mattias Ingman represents a more recent but equally important chapter - one that bridges traditional craftsmanship with a contemporary, quietly radical ethos: that beauty lies in function, that objects should last, and that design must work in dialogue with nature, not against it. Based in Sweden, Ingman is part of a new generation of Nordic designers who are reshaping the values of modern furniture by re-emphasizing material honesty, local production, and a slower, more conscious approach to making.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trained as a cabinetmaker before studying design, Ingman’s work is deeply rooted in material knowledge. His furniture doesn’t start as sketches on paper - it starts in the workshop, where proportions are tested by hand, and the properties of wood are treated as a design partner rather than a constraint. This approach results in pieces that are both technically refined and emotionally grounded - furniture that speaks softly but with lasting presence.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ingman’s style is best described as <strong>New Nordic functionalism</strong>. It blends the restraint and purpose of traditional Scandinavian modernism with a more raw, organic aesthetic. His chairs, tables, and storage pieces often feature exposed dowel or peg joints, hand-planed surfaces, and visible tool marks - subtle indicators that the hand of the maker is still part of the final object. Rather than striving for the sleek perfection of industrial design, Ingman leans into irregularity and patina as part of an object’s character.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>One of his most admired works is the <strong>Ängsbacken Bench</strong> - a simple, low-profile seating piece crafted in solid ash with a split-slat seat and gently tapering legs. The form recalls both Swedish rural furniture and Japanese joinery traditions, but its execution is unmistakably contemporary. Like much of Ingman’s work, it carries a quiet authority: designed to disappear into a room and yet always draw the hand to its surface. Another notable piece is his <strong>Rötter Cabinet</strong>, which features exposed wooden pins and an oil-finished frame - a tribute to the honest utility of pre-industrial Swedish furniture, updated for modern interiors.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ingman produces his work in small editions, often in partnership with local workshops and sustainable sawmills. He is outspoken about resisting mass production in favor of circular, transparent making processes. Each piece is designed to be maintained, repaired, and handed down - rather than replaced. In that sense, he isn’t just a designer - he’s a systems thinker. His work isn’t just about form; it’s about how furniture lives, ages, and survives across time.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At Design Preowned, Ingman’s philosophy aligns seamlessly with our mission. He’s not working in the past, but in the future - a future where craftsmanship, longevity, and sustainability are not niche ideals, but necessary standards. His furniture doesn\'t require reinvention; it requires care. That’s what makes it so rewarding to restore. We’ve had the pleasure of working with original Ingman pieces that have developed beautiful patinas through use - and in each restoration, we don’t aim to erase the years, but to honor them.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>What makes Ingman particularly relevant to today’s collectors and interior designers is the <strong>emotional integrity</strong> of his work. In an era where design is often about visibility and trend, his pieces feel like anchors - objects that ground a space and quietly tell you: <em>this was made to last</em>. He is part of a new wave of Scandinavian designers who aren’t trying to outdo the past, but to restore its values in a modern context.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>And yet, his work is not nostalgic. It is deeply contemporary - in its environmental awareness, its commitment to provenance, and its quiet rebellion against fast design. For Edward Gubi and the team at Design Preowned, that makes Ingman an ideal figure in the new design landscape: not just someone we admire, but someone whose ethos we share.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In many ways, Mattias Ingman represents where Nordic design is going - not louder or trendier, but deeper. His furniture is made for the long term, both structurally and spiritually. It doesn’t shout. It stays. 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